Munch's "The Scream" - X-rayed - on bad acid

Thursday nite I attended a triple book launch at Q Space Gallery in
Toronto. I went to hear my friend Allan Briesmaster launch his new
book, Against the Flight of Spring. Allan gave an excellent & brief
reading of 6 poems, & I'm now in the process of savouring all of his
poems on the deck of my ZenRiver Gardens shaman shack. 

Another friend has an art display at Q Space, & Virginia Dixon's
startling & nightmarish Woman of Belleville series of monoprints
continues to haunt me  - thought I'd share them.

VIRGINIA DIXON

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MY WORK

Woman of Belleville

As humans living a corporeal existence we are aware in varying degrees of the duality we encounter between body and spirit. Religious philosophy refers to the veil and visual art the picture plane. There is a yearning to bridge this distance and gain or regain a sense of unity thereby relieving us of an underlying feeling of alienation.

For me painting is a form of magic or alchemy whereby through the process I will eventually be transformed into the essence of the matter. The picture is creating me as I create it.

This series of monoprints “Woman of Belleville’ is my latest attempt in this endeavor. I think it is quite humourous that the images resulting from printing my own body onto paper are so alien looking!

“Woman of Bellville” was inspired in part by Giacometti’s sculptures “Woman of Venice”. Giacometti ‘s monumental works are opposite to mine in both intent and practice, depicting the figure in real space emphasizing a distance removed from his subject. I admire this work greatly and am challenged by the differences.

Virginia Dixon lives on a farm north of Belleville. You can contact her through the contact section

Woman of Belleville I

Woman of Belleville II

Woman of Belleville III

Woman of Belleville IV

Woman of Belleville V

Woman of Belleville VI

Woman of Belleville VII

Woman of Belleville VIII

Woman of Belleville IX

Woman of Belleville X

© VIRGINIA DIXON | ALL RIGHTS RESERVED

"AcornFest" a Success/Picasso Poem (Virginia Dixon)/A-burgh trek

Hi Carol,
Following is my poetry selection for the Sept./Oct. issue of UMBRELLA. I heard Virginia read it at ANOTHER DAM POETRY READING during this weekend's PurdyFest, & asked her permission to publish it. It's a great poem, & shows us where a major local visual artist got her youthful inspiration!

"AcornFest" was a super success, despite a slow start. We had a handful of visitors at the potluck supper on Friday, but we got an far better than expected attendance at the Symposium on resurrecting Milton Acorn's legacy on Saturday - we had 20+. Even more people showed up for the dam reading (25 - 30) and then on Sunday we crammed two pavilion tents with double group readings from the Canada-Cuba Literary Alliance and the pre-launch reading from the new Hidden Brook Press anthology THAT NOT FORGOTTEN (hard to estimate, but I'd guess 40 -50).

This afternoon I was able to take co-organizer Terry Barker to visit Ameliasburgh and Purdy's gravesite and A-frame for the first time.

All in all a great weekend for People's Poetry!   ... know we did Milt proud  :  )

peace & poetry power!
Chris ... and Chase ... Wrffffffffffffffffffffff! (who enjoyed all the attention!)

Our poets at rest: Al Purdy

Alfred Wellington Purdy Born: Wooler, Ontario; December 30, 1918 Died: Sidney, B.C.; April 21, 2000 Buried: Ashes buried in Ameliasburg Cemetery Photo: Linda Rogers Gravestone epigraph This is where I came to when my body left its body and my spirit stayed in its spirit home. Al Purdy was one of the most influential and popular Canadian poets of the 20th Century. He wrote more than 30 collections of poetry, the last of which, Beyond Remembering: The Collected Poems of Al Purdy, was published posthumously, in autumn, 2000. He won two Governor General’s Awards for Poetry, the first for The Cariboo [...]

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Hi Chris,

thanks very much for inviting me to send my poem/ text for publication in Umbrella. This excites me as I was just at the current Picasso exhibition in Toronto and it completes the experience for me.

We took Jean out to Zen River this morning and she was awed by the beauty and Jim's stupa. She has a train to catch in Belleville this afternoon so we didn't stay long. Jim's heading back however so you'll meet up over more poetry.

Hugs for Chase!

Virginia






PICASSO MEMOIRS     Virginia Dixon

I loved pictures before I loved Picasso but at age nine, while visiting the “Picasso and
Man” exhibition at the Musee des Beaux Arts in Montreal I fell in love with desire;
lines on paper by the hand of a man whom I knew to be living, somewhere in France,
older yes, but alive at the same time as me on the same planet. It seemed incredible.  

I felt insistently many things.  Who were these nude women? Trapped in a child’s
body I was jealous of their breasts, their eyes and hair between their legs, which
seemed to demand Picasso’s blackest hatchings or spills of ink. I could feel their flesh
under the touch of his pen; feel his eyes’ amusement at my curious glances.

Arithmetic calculated that Picasso was now eighty-two. If I left for France
at sixteen that would put him at eighty-nine....then suddenly rage!
I was no model longing for the artist’s gaze! I was the artist, making all of these
feelings now dangerous. Would Picasso ever take my drawing seriously?  Could two
great artists share the planet at the same time?  Thank God he was old. Thank God I
was safe in my little girl body.

The following day my father read aloud the review in The Gazette over breakfast. The
critic quoted a child’s overheard comment, “I liked the bare ones best!” They’re called
“Nudes” I said to myself, relieved at the distance between Montreal and Paris.

When I was twenty-two I went to France. Picasso had died three years earlier and I
remember leaning on a stone wall overlooking Vauvenargues, his villa, imagining him
as I had seen him in photographs seated in a large room looking at a canvas, smoking,
with sunlight angling through tall windows.  A housekeeper was visible in the garden
and I half wondered if she’d let me in if I dared explain the situation.  She grew
impatient with my lingering and waved at me to move on. I didn’t know he was
buried near by.

Can you bury Picasso?  Lately, when I drink too much red wine, I start crying over the
guy. He’s not faring so well at the close of the century; feminism is rewriting his
history and painting in general is ridiculed. When Francoise Gilot came to
Harbourfront to read from her book Matisse and Picasso I stood in line not for her
signature, although I got that too, but to look into the eyes
that had looked into his as a woman, a lover, a painter. She was seated at a table, I
was standing, which required her to raise her eyelids as she handed me back my copy
of her book. She allowed me a glimpse before lowering them again, putting a closure
on my dreams for Picasso.