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Friday, 29 March 2013

Dorothy, Earle & Al (from David Day)




Many thanks, David,  for these pieces of CanPo history  :  )
I'm forwarding them to Marvin Orbach*, who is archiving a lot of CanPo material for the Univ. of Calgary special collections.
I'm also sending it on to other PurdyFesters, both for their enjoyment & as a reminder of this summer's activities.

Trust all well with you (?) ... all fine out here in the boonies ... George Miller visited several times recently, house hunting
for a rural retreat - sure hope he moves out here to keep us rednecks company & tame us down a notch!

We're making some progress on the second Mosaic book on Milt - a 'Gedenkschrift' - a tribute collection - part critical
analysis, part scrapbook, part memoir, part loveletter ...  Do you have any memories/poems/??? of Milt you'd like to contribute?
The other editors are Terry Barker, Anna Yin, Bruce Meyer.

peace &poetry power!
Chris ... & Chase Wrffffffffffffffffff! (just hobbled back from a great spring walk on Marble Point overlooking Crowe Lake)

* I'm Marvin's main 'Judas goat' re soliciting stuff for his special collections - donations always appreciated - thanks for these!


Begin forwarded message:

From: David Day
Date: March 29, 2013 2:06:54 PM EDT
To: Chris Faiers <zenriver@sympatico.ca>
Subject: Dorothy, Earle and Al


Hi Chris

I was going through some papers and found a piece I wrote for the 35th Anniversary of Dorothy Livesay's CVII magazine and thought you might like it for your Dorothy themed Purdy Fest this year.

Also I came across this photo of Earle Birney and Al Purdy at one of my book launches in Toronto in 1983 which you might like for your Purdy archive.

All the best
David




Saturday, 23 March 2013

Poem by Anna Yin Saved a Life



After Reading Ted Hughes' "Full Moon and Little Frieda" (mp3) 
 
 
I fall in love with you, Moon,
seeing you step back like a timid artist.
Listening to the night,
you come out, a pail lifted.

Moon, they are gone.
They left you watching over the river.
How many years since?
And you watch the small village
becoming a floating island in the dark.
Among rows of windows,
the night flows, and I wide awake.

How much I want to imitate Li Po,
dancing with his white sleeves,
a hum from his burning heart,
night after night inviting you for a drink!
The wine never drained,
yet he drowned in the silver river.

Moon, lift your bucket,
come out once again.
I won't make a sound.

Anna Yin
  
Hi Chris,

Terry said I should send this to you and asked you to post this on your blog. Please feel free to do that. thanks.

Poetry Saved Me! http://www.annapoetry.com/?page_id=5523

Every Sunday I listen to CBC Radio One to hear Sunday Edition. Last Sunday I heard the story “Poetry Saved Me” and thought of something that had happened to me. In my book “Wings Toward Sunlight”(Mosaic Press 2011), I shared my story in the Acknowledgements, but I never knew that one of my poems could save another person’s life.

When World Poetry founder Ariadne Sawyer invited me to read my poems in Vancouver last summer, in her email she said “I have some news for you. There is an interesting story about your gift poem. ”  I wondered what kind of story that she wanted to reveal. On July 25 the poetry reading night in New Westminster library (B.C.), Ariadne shared the story with all the audience. She said that one lady called her to ask her to tell me, that she couldn’t come that night for my reading, but she wanted to thank me because my poem “After Reading Ted Hughes’ “Full Moon and Little Frieda” saved her life. She said that a few years ago she felt depressed and wanted to commit suicide, one day she wandered in a library and saw my poem on the wall. She read it then was hooked by its beautiful words and meaning. She found hope and abandoned her idea of suicide. I was very surprised and glad to hear the story. Poetry saved me, but from time to time I have struggled to find the meaning of writing poems and publishing them. At that moment I found it and felt so happy. I remember Emily Dickinson’s poem:

If I can stop one heart from breaking,
I shall not live in vain;
If I can ease one life the aching,
Or cool one pain,
Or help one fainting robin
Unto his nest again,
I shall not live in vain.

Later in China, Ms. Tang, a reporter From CCTV-4  interviewed me, I told her the story. She asked me: “How did my poem save her? What is her name?” I said: “ I don’t know.”  Indeed, I also asked myself the same question: How did the poem save her? It is a sad poem and tells two sad stories about two great poets(Ted Hughes and Li Po).

Yesterday I discussed it with my book editor and good friend Terry Barker about the Sunday Edition Program “Poetry Saved Me”. We read After Reading Ted Hughes’ “Full Moon and Little Frieda” again and again.  Then I think we found the reason. We both agree that although it is a sad poem, but in the end it lifts up. It invites the reader, the moon and these great dead poets to hang on… come back once more… this calling is very touching and authentic. Life might be short, but the beauty of living and poetry will last forever. So we think this kind of message gives hope and saved her life. Of course, each poem every reader reads differently. I am glad that my poem stopped one heart from breaking.



Thanks a lot.

--
Best wishes,

Anna Yin

 



读特德修斯的月亮 
月亮,我坠入了你的爱河。
看着你好似羞涩的艺术家
退回到夜幕里。
聆听着秋夜,你悄然
出来,手里拎着一个圆桶。
月亮,他们都已离去。
独留下你照看着
夜色里的长河。
多少年过去了?
你看着小小的村庄
成为漂浮的岛屿。
在行行的窗户之间,
黑夜流动,而我难以成寐。
我多想模仿李白,
依着他的长衫漫舞,
伴着燃烧的心轻唱。
每晚都来邀请你共饮。
美酒不会干涸,
而李白沉没在银色的河水中,
再也不见身影。
月亮,提起你的圆桶,
再一次出来吧,
我会安静得不弄出半点声响。
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Thursday, 21 March 2013

The Language of Poetry: Bruce Meyer


Fall in love with life
Tomorrow, March 21, is World Poetry Day and all are invited by the UN to “reflect on the power of language and the full development of each person’s creative abilities”

In her message for World Poetry Day, Irina Bokova, Director-General of UNESCO states, “Poetry is one of the purest expressions of linguistic freedom. It is a component of the identity of peoples and it embodies the creative energy of culture, for it can be continuously renewed.”

In celebration of World Poetry Day, we are completely honoured to share with you, “The Language of Poetry” by Bruce Meyer, Poet Laureate for the City of Barrie.

City of Barrie Poet Laureate Bruce Meyer

Bruce Meyer is the inaugural Poet Laureate of the City of Barrie and Professor of English at Georgian College. He is the author of 34 books of poetry, short fiction, non-fiction, literary journalism, and pedagogy. His broadcasts on the Great Books for CBC Radio One are the network’s bestselling spoken word cd series.

City of Barrie Poet Laureate Bruce Meyer
Poets laureate have an ancient history with traditions dating back to the first days of classical civilization. They are called upon to encourage and promote the importance of culture and language in society and to share their prose for celebration and occasions.

It is with joy that we share with you our poet laureate’s beautiful words, written for Sunday Crush on the occasion of World Poetry Day. We invite you to further read his reflections on his role as City of Barrie Poet Laureate, on celebrating poetry and literature in our community and on the beauty of this wonderful region we live in.


The Purpose of Public Poetry

As the inaugural Poet Laureate of the City of Barrie, I am delighted when I am asked to write poems for special occasions. I have written about the Barrie Farmer’s Market and read that poem to shoppers as they picked over the best of the fall apple harvest. I wrote one for a concert of seniors who were playing Christmas carols in the City Hall Rotunda. I have recently written one for a charity dinner where the Mayor was celebrated to raise funds for a community of special needs adults, and another I have just completed to welcome the city’s first female Chief of Police. These are records of moments when we are simply living our lives in the collective spirit of citizens who are sharing the delight of their lives together in the same time and place.

Poems, by their very nature, should make the transitory permanent; they should record and, if called upon, celebrate what it is they have to express. I look around my city and around Simcoe County, and I see so much that we have to celebrate.

What I am realizing is that as a literary entity, Barrie and Simcoe County are just now getting around to recognizing what we have and how rich it is. I have the feeling every day that I live in a little piece of God’s country and I think I owe it to those around me to tell them how lucky they are to be here. Poetry should open people’s eyes to what is around them.

Across the street from my home is the city’s botanical garden, Sunnidale Park. In the winter, I watch as cross-country skiers traverse the trails that have been cut between the trees and plantings, and in the summer I witness couples pledge their vows among the beds of bright flowers. Poetry should be like those vows or those ski trails: it should join people and things together, connect one point of interest or an event to another, and lead us somewhere or to some lasting recognition of how important every moment in our lives can be. The best poetry, whether happy or sad, is driven by a profound sense of love. Barrie is a city that is still growing into its artistic potential and the consciousness that goes with it. If my writing of poetry can do anything, I hope it would be to point out to readers not only the depth, mystery, and power of the place we live in but the way we connect with each other in that place and what binds us together, like a vow, as we share our moments in time together.

Poetry should also be a public statement. A poem stuffed in a bottom drawer or scrawled in the unopened pages of a diary doesn’t do anyone any good. It becomes a lost statement, a wasted breath…a personal document, yes, but an unfulfilled expression of what deserves to have a life of its own beyond the page. When a poem needs to be written, it calls itself into being through the skills of the person who wrote it. Poems want to be born. They want to live. They want to spread their wings and enter the world. If they are strong enough to be heard by the ever-tuned ear of a poet, then they deserve a life of their own. To be asked to listen for a poem by one’s community is a great honor not only to poet but to the poem. The vox populi has said to an idea “please live here. We want you.” That’s where public poetry comes into play. Public poetry is poetry that wants to be shared, that wants to be heard, and that wants to have a life of its own.

Practicing poets will know that public poems, those that are requested by the poet’s community, are often different from the poems that want to come into the world as something personal for the poet. Public poetry has to address the many rather than the few. For the art’s sake, this is something that is extremely important because the often personal purpose of poetry can blunt the art as something that can be shared by the many — and the more people that share in the art of poetry, the more the art thrives. Poetry is like a group cheer. It gains strength the more people participate in the process.

Many years ago, the League of Canadian Poets (an association of which I am a long-standing member) distributed window stickers that read “Poetry Spoken Here.” I think that is a declaration that we have to make here in Barrie and Simcoe County. The poetry that results from public dialogue and discussion may not be personal poetry but it is very important. This kind of public expression is known in the world of poets as “Occasional Poetry,” poetry that is called into the world not only by the poem itself but by a social spirit that wants to create discussion and dialogue. Occasional poetry speaks to the moment; but my view is that it should also be akin to those still life paintings crafted by artists such as Vermeer who show us our moments of existence and record the details of our lives not as overwhelming monuments to great events but as whispers of the minute glances and small passions that comprise the memory of our all-too-brief moments in this life. Look at a Vermeer painting. A woman is playing a harpsichord or standing beside a window to read a letter in the flood of light as it enters the room. That’s what true occasional poetry, public poetry, should do. It should be a kind of light that enters into those unassuming moments of our days and bathes us in the recognition that for a brief moment we are who we are as we are caught unawares of ourselves in the process of doing the things we do in order to live our lives. It should capture us in that instant when we look up and out from the frame around us, and are caught in the overlooked dignity that life asks of us.

Bruce Meyer


In more poetry news, April is National Poetry month and one way you may want to participate is by attending the L3 Writers Conference on April 18 at Barrie North Collegiate. Bruce is an advisor to the writers conference; a fantastic literary event for high school students during the day and in the evening the doors open at 7:00 pm, inviting the public to listen to some of Canada’s finest authors, poets, novelists, journalists and activists. Click here to see the awesome list of presenters at this year’s conference.


 from the blog SUNDAY CRUSH

Tuesday, 19 March 2013

"Yours, Al": CanPo gossip then (and now)







http://www.harbourpublishing.com/covers/large/1550173324.jpg

Hi James,
I'm pretty sure I copied you on my report on the meeting Terry & I had with Howard Aster a few weeks ago re the 'second' Mosaic book on Milt (the Festschrift, or more accurately when it's posthumous, the Gedenkschrift). Howard seems keen on the book, & so far we've collected material from 20 - 25 contributors.

Terry & I chatted briefly yesterday (St. Patty's Day). I was beginning to feel we are losing momentum with the second book, but Terry said he believes the lull in activity is because so many contributors are professors, & it's now mid-semester & 'busy time' for them. I hope this is an accurate assessment, as we all know how crucial this book will be to continuing the resurrection of Milt. Also Bruce Meyer has been very ill (Howard eagerly accepted our recommendation of adding him as an editor).

Part of why I signed on for the project is to maintain & re-establish contact with other poets, & in the past few weeks this aspect has been very enjoyable. I've exchanged a # of emails with our old friend, Sheila Martindale, who's now out in Victoria. Last week I finally reconnected with George Miller (& thus Don Cullen). George is looking to buy a place outside of TO, & we spent a day or so looking at properties in the Marmora area. There's a very affordable power of sale about to come on the market in the village ($80K on a very desirable street!), & I'm hoping George will buy it & join our gang of local literary miscreants.

A sooprise just arrived by snail mail. A letter from Wayne, asking if we can be friends again? He's very open about his conviction & jail time, & has written extensively about this & god knows what else ... Hmmmm on this for the time being ...

Chase & I had a great visit in TO, & Sylvia & I enjoyed our usual whirlwind of dog walks, seeing Jim Christy's play, JACKIE & JACK, N. Viet dinner with Terry & Kent Bowman, etc. . On a seasonal wardrobe updating mission to the local Value Village (VV), I found a pristine copy of YOURS, AL, the collected letters of Al Purdy, edited by Sam Solecki in 2004  ... cost me $3.99!!!

I immediately found a letter between Milt & Al, in which Milt proclaims his First Nations heritage, & dubious as that may be, it was a key part of Milt's personality, which is what
the letter emphasizes. If we need to, we can fill in potential gaps in the second Milt book from sources such as this book, altho this would be a last resort.

Have you read the book? I'm about a third of the way thru. Some letters I've read twice, & many I just skim over. Lots of great stuff - it's such a Who's Who of that era of CanLit & CanPo (Purdy uses the term CanPo - I thought I'd invented it, & Conrad DiDiodato once even credited me with this on his blog - sorry, Conrad, but Big Al was there decades before me).

Anyway, I'm hoping to do some sort of book review on my  blog of YOURS, AL when I've finished reading it. The blog is now averaging over 100 hits a day, which is very gratifying (altho not as ego stroking as it could be, as most of the visits are on postings other than my writings - altho the good news is that recently almost all the daily top 5 hits have been on postings about Milt!).  I've explained to Terry that getting Milt a major internet presence is probably more important for his legacy than publishing more printed books, but of course both types of exposure overlap & reinforce each other.

Anyway, I'm very interested in your opinion of YOURS, AL. So far there hasn't been a lot of correspondence between Milt & Al in it. When I mentioned this to Terry, querying
if this was a deliberate omission of Milt on Solecki's part, Terry replied that Solecki prob. just didn't think Milt was that important, that Solecki's focus was on the great poet, Big Al.
As I'm only a third of the way thru, I can't fully comment yet on Milt's role in the book, but again, would love to know your opinions* on the book, etc. . 


Trust all well with you & Norma? All as healthy with Chase & me as can be expected of a 14 - 15 yr-old dog & his crazy 'golden age' human  :  )

peace & poetry power!
Chris ... and Chase Wrfffffffffffffffffffff! (who's old! - you just about passed out on the trail today, while I RAN ahead - looking for help?)

                                     .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .


March 19, 2013

Dear Chris & Chase,


            Many thanks for your big e-mail of late last night. I have never read Yours, Al. I do, however, know that there was a lot of correspondence between Milt and Al over the decades. As an aside, I have never respected Sam Solecki even though I know Big Al liked the fellow. It is quite likely that Milt was either one-eighth or one-sixteenth Indian, depending if Mary Musich or Musick (1827 – 1914) was a full-blooded Micmac or not. Milt was born 9 years after his great-grandmother died, so he never knew her. He liked to think of her as a full-blooded Micmac, but who knows?


Happy Spring!
...James (Deahl), Norma & Rocky

                                    .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .

Monday, 18 March 2013

Magnificent Marvin the Mangler: Aggro Archivist!


Hi Marvin,
Maybe you've discovered what's missing from Canadian poetry - the brag. Milt said this to me many decades ago when I chauffered him to a reading at Western University.

So I can be Bad Boy Chris (or we can come up with a better alliteration), & perhaps you can be Marvin the Mangler. About the only poet/literati I can think of who doesn't require a beefed-up literary tag is Jim Christy (I prefer to call him Christy, anyway). His gleaming gold incisors are enuff of an introductory rep for anyone  :  )

Of course at PurdyFests we've been calling Jim Larwill Raven King for several years now, which is a great shamanic tagline, & a tribute to our old comrade & mentor, Milton Acorn (there's another lit. who didn't need a hotted-up tagline - Milton Acorn already sounds like a literary creation, like bill bissett's notorious 'Wilbur Snowshoes' of many decades ago). Apparently Wilbur (bill) was nominated for some award, possibly indigenous - until it was revealed Wilbur was a nom de plume of bill's!

Aggie Maggie for Ms. Atwood (her nom de plume is A Toad something or other), - yeah & my haijin name is cricket - pretty wimpy & humble, which of course is what Zen haijin names are supposed to be.

Anyway, thanks, as always, for collecting our literary missives for the archives. It's a thrill to know that some doctoral student is perhaps currently pouring over reams of our blather as we correspond now, with hopes of discovering some hidden nugget of Canuck literary value.

Namaste,
peace & poetry power!
bad boy Chris and his Killer Canine Chase WRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRRR! (man, my bark IS bigger than my bite, but what a doggy handle!)


On 2013-03-16, at 6:47 PM, marvin orbach wrote:





                                . . . . . . . . . . . . . . . . . . .


Dear "bad boy" Chris,
  Just a short note to say that I continue to enjoy the e-mails you
send my way.  I am printing furiously and sending the material to its
Western destination.   The archive is growing, and will be a wonderful
resource for researchers specializing in poetry, for generations to
come. Did I tell you that recently a doctoral student spent a lot of
time with the collection  doing research for his dissertation?
   Namaste, from Montreal West.
   La paix & le pouvoir de la poesie.
  Marvin.