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Showing posts with label Isle of Wight Festivals. Show all posts
Showing posts with label Isle of Wight Festivals. Show all posts

Sunday, 14 June 2015

I was at the '69 and '70 Isle of Wight festivals ...

The Guardian newspaper in the UK has been publishing archival photos from the seminal hippie pop festivals of the 1960s and early 1970s. Worth checking out - here's another chapter of that time from my memoir.

Ralph McTell plays the festival



EEL PIE DHARMA - a memoir / haibun -  © 1990 Chris Faiers




Chapter 4 - The Isle of Wight Concert

After a couple of months of unpleasant co-existence, my cousin asked me to leave, immediately.  I was flung out with nowhere to go in a strange country.  I wandered around the suburban village of Kingston upon Thames for the evening, and finally made a camp out of a suitcase and towels in a vacant lot:


Making camp
in a vacant lot
with outcast cats


I survived the night, and the next day I ran into Martha at L'Auberge.  Martha's parents were going to Ibiza for a week with her younger sister.  Supposedly it was ok for a few of us to stay with Martha for company.  Soon the house was full of hippie crashers.  Martha's someimes boyfriend Canadian Peter, family friend Mark Valiant, myself and assorted L'Auberge regulars took advantage of the of the Holme's hospitality.

The week flew by in a stoned haze.  One night a group of the Richmond dossers dropped acid.  One of them stabbed at the kitchen table with a knife for hours.  So much for peace and love.  A group of us trooped out into nearby Richmond Park, and cavorted in the moonlight all night.

Another memory of that week is of being awakened on the sofa by Canadian Pete sticking a huge joint in my mouth.  I toked and then fell back asleep against the expensive stereo cabinet.

The day the Holmes were due to return Mark organised frenzied work teams.  We vacuumed the whole house, scrubbed floors, cleaned out the roach-filled ashtrays, did the dishes.  For a final touch I decided to have a bath.  While the bath was running, I continued with the massive clean-up.  I was working in the livingroom when someone noticed a strange bubble forming on the ceiling.  It was like something out of a horror movie, and in our permanently stoned state we first thought it was a group hallucination.  And then the hallucinatory bubble began to drip.  Panicked, I remembered my bath filling upstairs.  I rushed up to find a foot or two of water flooding the bathroom.

I cut off the faucets, and somebody tried to lance the huge boil growing just above the dining table.

At this juncture the Holmes arrived!  All our hours of cleaning were destroyed by my forgetfulness.  In an amazingly controlled voice Mr. Holmes ordered me out of his house.  I limped off to Richmond Park, where I sat on the side of a hill overlooking a field and cursed my stupidity.

In this depressed state I had nowhere to go, no one to turn to.  I remembered hearing about a giant rock festival featuring Bob Dylan which was going to be held soon on the Isle of Wight.  Having nothing better to do, I started walking in the general direction of Southampton, the crossing point for the Isle.  I only made it to the edge of Richmond by dark.  A lot of other young people were heading for the Isle of Wight, and I hooked up with a group of guys and walked with them for a mile or so before we decied to kip down for the night beside the Thames.  We washed down sandwiches with a shared bottle of soda, and soon the fog and the darkness surrounded us.  I woke up early in the morning.  Through the dawn mist a pair of Thames swans swam majestically towards us; an omen for a better day:


Through dawn mist
    floating
        pair of Thames swans


Someone gave me a lift to Southampton, which wasn't really that far away.  I only had a few pounds left in a post office bank account, and I withdrew my last worldly assets.  I spent part of the day mooning around Southampton, trying to track down a girl I had met at the Plumpton Festival.  Her parents must have got wind of her plans, or else she had lost interest in me, because I wasn't able to arrange a meeting by phone.  So I crossed over to the Isle of Wight on one of the giant tourist ferries.

The whole ferry was crowded with young people on their way to the concert. Hippies, students, and would-be hippies like myself trying to grow their hair.  When the ferry docked, I joined the long trail of hikers winding towards the concert site.  Along the way locals had set up lemonade stands in the British tradition of combining shopkeeper capitalism and hospitality.

I fell in with two girls and another guy.  When we reached the muddy concert site, it looked like a refugee camp.  Thousands and thousands of young people were camping in open fields.  This was just after the Woodstock Festival took place in New York State, and apparently there were more people at the Isle of Wight Festival than there were at Woodstock.  However, as Woodstock took place in the United States, and was thus more important to the growing anti-Vietnam peace movement, Woodstock has gone down in history as the seminal and most important rock concert of the period.  But it also happened, on a possible larger scale, in the beautiful fields among the dramatic hills of the Isle of Wight.

We spent hours helping the girls raise their tent.  Exhausted from the excitement and the trek, we curled up inside.  The girl I was paired with rubbed against me most of the night, but she wouldn't do much more than that.  We probably both found the other only marginally attractive, and I found the experience frustrating.

The next day I wandered off on my own into the huge crowd, and I soon found a welcome place in an earthen hut which housed a whole troupe of early arrivals.  Rhino was one of the leaders.  He was a rough looking but kindhearted guy, and there was also a gorgeous blonde heroin addict from Scandinavia.  For some reason she liked me, and when I told her I was a writer and journalist, she was fascinated.  All night we sat round a roaring campfire, telling our life stories and hopes and dreams:



Talked all night
  ashes at dawn
    girls asleep


The next night was the feature of the festival, Bob Dylan.  I sat at the back of the hundreds of thousands of kids, and Dylan was just a doll-like figure hundreds of yards away, whose music barely reached me.

Crowds, dope, sleeping in the open air, smoke in our tangled hair.  Sexual frustration, still.  Weaving back in a queue of bodies miles long, past the lemonade stands to the ferry.  Back to Southampton, where I again hooked up with the gorgeous heroin addict, who bragged that she was heading to New York, because it had the best smack in the world.  We all piled into a van headed for London, and somehow I was in.  I had survived some rite of passage, and the ten of us crowded in the back of the van sang and banged time on the tinny walls all the way back to Richmond.  My beautiful heroin addict got out first, and I never saw her again.




Eel Pie Dharma is protected by international copyright laws. Individuals may print off a copy of this work for personal use only to facilitate easier reading.

Eel Pie Dharma - contents   |   previous chapter (3)   |   next chapter (5)

Plumpton 1969 (beware popups)   |   Woodstock 1969   |   Isle of Wight 1969
A poster for the festival

Wednesday, 13 February 2013

Interview with Chris Faiers by Patrick Connors on newz4u


Eel Pie Island Dharma

 
 
Chris Faiers’ Ode to Youth Number 7 on Amazon
Patrick Connors – Toronto:  Chris Faiers was born on Hamilton Mountain in 1948.  His family emigrated to the southern U.S. when he was six. Although a Canadian citizen, he was eligible to be drafted for the Vietnam War as a resident alien. Chris became an anti-war activist in Miami, Florida, attending demonstrations, organizing a campus group and publishing an underground newsletter.  He left the U.S. forever in June 1969.
Chris lived for two years in the largest commune in the United Kingdom, the derelict Eel Pie Island Hotel in Twickenham.  Eel Pie Island Dharma tells the story of his explorations

and adventures in the late ’60s and early ’70s.
“Basho, a wandering Japanese poet who lived in the late 1600s, created the haibun form”, Faiers said.  “He refined an ancient Japanese tradition of short nature poems into the haiku, which in Japanese are written with a 5-7-5 syllable structure. Over recent decades English language haiku poets – “haijin” – have shortened this form, as the way of counting syllables is much different in the English language.

“Late in life Basho began a series of Zen-inspired pilgrimages. He wrote travel journals about these journeys, interspersing narrative prose with his insightful and meditation-informed haiku. This unique combination of poetic prose and haiku became haibun.

“So, Eel Pie Island Dharma is of literary and historical significance for a number of reasons. It is among the first published English language haibun. It has also become a historical document of the late 1960s, and previous editions of it have been quoted and referenced in a number of prestigious books.

“I have to thank Richard ‘Tai’ Grove, publisher of Hidden Brook Press, for believing in this book and producing it!”

“I am proud of bringing Chris’s book into print”, Grove said.  “It is worthy of being found in collections and on library shelves.”  When I asked him about Faiers’ success, having been ranked as high as seventh on Amazon for poetry at times, Grove said, “We just keep plugging the book – word of mouth.”

“Being ranked #7 feels great, and gives some validation to what I am doing,” Faiers said.  “We live in a capitalist society, and poetry is not really about making money, but is more of a spiritual calling.”

Here is the link to where you can purchase it on Amazon.

“It is also being sold online by alibris and SmithBooks.”

Chris Faiers then

The book is a very easy read, and contains colourful memories of Faiers’ formative years.  I asked him which experiences from this era affected him the most.  “First of all, definitely my initial visit to a Buddhist monastery.”  This certainly feels like a turning point in the book, as well as for Faiers, but an earlier experience affected him profoundly, and directly led to his Buddhist practice.

“The other one was meeting George Harrison.  Initially, I didn’t get the Beatles.  But then they opened up what it means to be an artist, Eastern mysticism, really the whole world to me.  

George was just a guy, not a ten-feet tall demigod with rainbows shooting out his fingers.  He was a short guy, wearing blue jeans, sort of “of us”.  My friend Canadian Peter gave him a tape of his music, hoping to be recorded by Apple Records.  I was so shy, but I managed to give him Cricket Formations, which was a collection of my early haiku.  The next week, California John and Canadian Peter went to find the results of their efforts.  Harrison told him he didn’t really care for the tape, but that he liked my poetry.  I always appreciated that he took the time to read my book.”

Eventually, Faiers did have to tune back in, and got a job as a grave-digger.  “I almost starved to death when my parents stopped sending me small monthly cheques. I had understood the cheques were a legacy from my grandmother, but anyway ‘for my own good’ I didn’t receive any money for several months over the winter and spring of 1970. There weren’t many potential jobs for a long haired, bearded young foreign hippie, and working in a graveyard was one of the few places someone like me could get hired.  It was also a peaceful job, and I believe legendary blues guitarist Peter Green went to work in a London graveyard to escape the groupies and fame. Of course I quickly adopted the usual jokes about it being ‘a dead end job’ and ‘people just dying to get in here’.”

Faiers attended some of the music festivals which marked the times.  “I attended two Isle of Wight Festivals. The first one was in the summer of 1969, in August, the same month as Woodstock.

“I also attended the first Glastonbury Music Festival. It was really a sort of tribal gathering for hippies from all over the UK, Europe and even North America. It’s a great irony that this once most counter-cultural of events has survived for decades and become the largest music festival in the English speaking world!”

Chris and Chase now

I asked him if he still longs for his freewheeling, free-loving, freak flag flying hippie days.  “There’s not really much of a dosser (English slang for someone who sleeps outdoors) in me anymore.  I own a small bungalow, have a hot shower every morning, take my dog Chase for a walk.

“However, Bohemia and artistic expression thrive on the opposite end from capitalism.  I encourage the get-off-the-grid lifestyle.  People who can’t afford a traditional vacation should go camping.”

To that end, Faiers is the main force behind Purdyfest, which is held in Marmora every August long weekend.  Dorothy Livesay is the focus behind this year’s festival, which features free camping and activities at ZenRiver Gardens.  For more information, please visit their website.

“When I come into the city to visit people, they consider me to be a poor poet.  By my standards, I am successful!”