Riffs & Ripples from ZenRiver Gardens

Buoyant blog of septuagenarian Kanadian poet and haikuist Chris Faiers/cricket. People's Poetry in the tradition of Milton Acorn, haiku/haibun, progressive politikal rants, engaged Buddhism and meditation, revitalizing of Callaghan's Rapids Conservation Area, memories of ZenRiver Gardens and annual Purdy Country LitFests (PurdyFests), events literary and politikal, and pics, amid swirling currents of earth magick and shamanism. Read in 119 countries last week - 22,924 readers in June.

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Showing posts with label Eel Pie Dharma. Show all posts
Showing posts with label Eel Pie Dharma. Show all posts

Sunday, 14 June 2015

I was at the '69 and '70 Isle of Wight festivals ...

The Guardian newspaper in the UK has been publishing archival photos from the seminal hippie pop festivals of the 1960s and early 1970s. Worth checking out - here's another chapter of that time from my memoir.

Ralph McTell plays the festival



EEL PIE DHARMA - a memoir / haibun -  © 1990 Chris Faiers




Chapter 4 - The Isle of Wight Concert

After a couple of months of unpleasant co-existence, my cousin asked me to leave, immediately.  I was flung out with nowhere to go in a strange country.  I wandered around the suburban village of Kingston upon Thames for the evening, and finally made a camp out of a suitcase and towels in a vacant lot:


Making camp
in a vacant lot
with outcast cats


I survived the night, and the next day I ran into Martha at L'Auberge.  Martha's parents were going to Ibiza for a week with her younger sister.  Supposedly it was ok for a few of us to stay with Martha for company.  Soon the house was full of hippie crashers.  Martha's someimes boyfriend Canadian Peter, family friend Mark Valiant, myself and assorted L'Auberge regulars took advantage of the of the Holme's hospitality.

The week flew by in a stoned haze.  One night a group of the Richmond dossers dropped acid.  One of them stabbed at the kitchen table with a knife for hours.  So much for peace and love.  A group of us trooped out into nearby Richmond Park, and cavorted in the moonlight all night.

Another memory of that week is of being awakened on the sofa by Canadian Pete sticking a huge joint in my mouth.  I toked and then fell back asleep against the expensive stereo cabinet.

The day the Holmes were due to return Mark organised frenzied work teams.  We vacuumed the whole house, scrubbed floors, cleaned out the roach-filled ashtrays, did the dishes.  For a final touch I decided to have a bath.  While the bath was running, I continued with the massive clean-up.  I was working in the livingroom when someone noticed a strange bubble forming on the ceiling.  It was like something out of a horror movie, and in our permanently stoned state we first thought it was a group hallucination.  And then the hallucinatory bubble began to drip.  Panicked, I remembered my bath filling upstairs.  I rushed up to find a foot or two of water flooding the bathroom.

I cut off the faucets, and somebody tried to lance the huge boil growing just above the dining table.

At this juncture the Holmes arrived!  All our hours of cleaning were destroyed by my forgetfulness.  In an amazingly controlled voice Mr. Holmes ordered me out of his house.  I limped off to Richmond Park, where I sat on the side of a hill overlooking a field and cursed my stupidity.

In this depressed state I had nowhere to go, no one to turn to.  I remembered hearing about a giant rock festival featuring Bob Dylan which was going to be held soon on the Isle of Wight.  Having nothing better to do, I started walking in the general direction of Southampton, the crossing point for the Isle.  I only made it to the edge of Richmond by dark.  A lot of other young people were heading for the Isle of Wight, and I hooked up with a group of guys and walked with them for a mile or so before we decied to kip down for the night beside the Thames.  We washed down sandwiches with a shared bottle of soda, and soon the fog and the darkness surrounded us.  I woke up early in the morning.  Through the dawn mist a pair of Thames swans swam majestically towards us; an omen for a better day:


Through dawn mist
    floating
        pair of Thames swans


Someone gave me a lift to Southampton, which wasn't really that far away.  I only had a few pounds left in a post office bank account, and I withdrew my last worldly assets.  I spent part of the day mooning around Southampton, trying to track down a girl I had met at the Plumpton Festival.  Her parents must have got wind of her plans, or else she had lost interest in me, because I wasn't able to arrange a meeting by phone.  So I crossed over to the Isle of Wight on one of the giant tourist ferries.

The whole ferry was crowded with young people on their way to the concert. Hippies, students, and would-be hippies like myself trying to grow their hair.  When the ferry docked, I joined the long trail of hikers winding towards the concert site.  Along the way locals had set up lemonade stands in the British tradition of combining shopkeeper capitalism and hospitality.

I fell in with two girls and another guy.  When we reached the muddy concert site, it looked like a refugee camp.  Thousands and thousands of young people were camping in open fields.  This was just after the Woodstock Festival took place in New York State, and apparently there were more people at the Isle of Wight Festival than there were at Woodstock.  However, as Woodstock took place in the United States, and was thus more important to the growing anti-Vietnam peace movement, Woodstock has gone down in history as the seminal and most important rock concert of the period.  But it also happened, on a possible larger scale, in the beautiful fields among the dramatic hills of the Isle of Wight.

We spent hours helping the girls raise their tent.  Exhausted from the excitement and the trek, we curled up inside.  The girl I was paired with rubbed against me most of the night, but she wouldn't do much more than that.  We probably both found the other only marginally attractive, and I found the experience frustrating.

The next day I wandered off on my own into the huge crowd, and I soon found a welcome place in an earthen hut which housed a whole troupe of early arrivals.  Rhino was one of the leaders.  He was a rough looking but kindhearted guy, and there was also a gorgeous blonde heroin addict from Scandinavia.  For some reason she liked me, and when I told her I was a writer and journalist, she was fascinated.  All night we sat round a roaring campfire, telling our life stories and hopes and dreams:



Talked all night
  ashes at dawn
    girls asleep


The next night was the feature of the festival, Bob Dylan.  I sat at the back of the hundreds of thousands of kids, and Dylan was just a doll-like figure hundreds of yards away, whose music barely reached me.

Crowds, dope, sleeping in the open air, smoke in our tangled hair.  Sexual frustration, still.  Weaving back in a queue of bodies miles long, past the lemonade stands to the ferry.  Back to Southampton, where I again hooked up with the gorgeous heroin addict, who bragged that she was heading to New York, because it had the best smack in the world.  We all piled into a van headed for London, and somehow I was in.  I had survived some rite of passage, and the ten of us crowded in the back of the van sang and banged time on the tinny walls all the way back to Richmond.  My beautiful heroin addict got out first, and I never saw her again.




Eel Pie Dharma is protected by international copyright laws. Individuals may print off a copy of this work for personal use only to facilitate easier reading.

Eel Pie Dharma - contents   |   previous chapter (3)   |   next chapter (5)

Plumpton 1969 (beware popups)   |   Woodstock 1969   |   Isle of Wight 1969
A poster for the festival
Posted by Chris Faiers/cricket at 14:16 No comments:
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Labels: Chris Faiers, Eel Pie Dharma, Eel Pie Island Dharma, Isle of Wight Festivals

Wednesday, 9 January 2013

EEL PIE DHARMA #2 on Google of 219,000 haibun sites!

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  1. Haibun - Wikipedia, the free encyclopedia

    en.wikipedia.org/wiki/Haibun
    Haibun (俳文, literally, haikai writings) is a prosimetric literary form originating in Japan, combining prose and haiku. The range of haibun is broad and includes ...
  2. Eel Pie Dharma - a haibun - Chris Faiers

    www.eelpie.org/epd.htm
    memoir / haibun of the late '60s in prose and haiku - Eel Pie Hotel was the UK's biggest hippie commune, Glastonbury Festival, travelling thru Europe.
  3. Haibun: A Definition of the Haibun Style of Writing

    raysweb.net/haiku/pages/haibun-definition.html
    Haibun: the Haibun Style of Writing, haibun and tanka prose.
  4. contemporary haibun Online: An Edited Journal of Haibun Prose ...

    contemporaryhaibunonline.com/
    An online journal of contemporary haibun edited by Ken Jones, Jim Kacian and Bruce Ross featuring the best of modern English language haibun.
  5. Haibun Today: A Haibun & Tanka Prose Journal

    haibuntoday.com/
    Edited by Jeffrey Woodward. Publishes haibun, tanka prose, essays and book reviews.
  6. submissions page - Haibun Today: A Haibun & Tanka Prose Journal

    haibuntoday.com/pages/submissions.html
    Haibun Today, an online quarterly, is published in March, June, September and December of each year. The editors are pleased to review submissions at any ...
  7. Haibun: Poetic Journey

    www.dlstewart.com/haibun.htm
    The form of Japanese poetry known as haibun first developed from a Japanese writer taking a journey and composing a diary of his travels in a mix of brief prose ...
  8. Haibun - Graceguts

    sites.google.com/site/graceguts/haibun
    Haibun (俳文) is a Japanese genre of writing that mixes chiefly autobiographical prose with haiku. The most famous example is Bashō's Oku no hosomichi, ...
  9. More than the Birds, Bees, and Trees: A Closer Look at Writing Haibun

    www.poets.org/viewmedia.php/prmMID/22712
    Hello saguaro and barrel cactus. Hello sorghum and wheat field. Hello skyscraper and ballpark. Hello cherry tree and badger nest. Having moved several times ...
  10. Haibun Poems: Poetic Form | WritersDigest.com

    www.writersdigest.com/whats.../haibun-poems-poetic-form

    Robert Brewer
    by Robert Brewer - in 949 Google+ circles
    3 Sep 2012 – The haibun is the combination of two poems: a prose poem and haiku. The form was popularized by the 17th century Japanese poet Matsuo ...
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*********************

Ed Baker has left a new comment on your post "EEL PIE DHARMA #2 on Google of 219,000 haibun site...":

you shld be Numero Uno
acause
what they claim ins #1 is just a definition-according-to-whichuhpeedia of "haibun"
and your Eel Pie I D is in a class by it s self ?



Posted by Ed Baker to Riffs & Ripples from ZenRiver Gardens at 9 January 2013 12:58

**********************

 ‎
Posted by Chris Faiers/cricket at 08:48 1 comment:
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Labels: Canadian haibun, Canadian haiku, Chris Faiers - cricket, Eel Pie Dharma, haibun, Weed

Sunday, 16 September 2012

brief history of haiku/haibun



Hi Marvin,
The forthcoming reprint is of my 1990 book, EEL PIE ISLAND: a memoir/haibun. Haibun is considered a form of poetry. Actually haibun is prose, interspersed with haiku. The prose gives the haiku context, something which is generally missing when poets/haijin publish individual haiku.

Basho, the wandering Japanese poet priest, created the haibun form. His classic is THE NARROW ROAD TO THE DEEP NORTH. Sometimes this title is interpreted as THE NARROW ROAD TO THE INTERIOR, which gives a better sense that Basho's journeys were as much internal as external.

The English language haiku movement began in the 1950s, when many Americans stationed in Japan during post WW2 reconstruction learned of the form and attempted to both describe and imitate it. The classic works on this are by RH Blythe.

(The book I recently finished reading, JAPANESE PILGRIMAGE, was also written by one of these Americans stationed in Japan after WW2.)

Early English language haiku were almost always written in imitation of the Japanese form, which decreed a strict syllable count of 5 syllables in the first line, 7 in the second, and 5 in the concluding line. Thus these early haiku have been nicknamed 5-7-5s.

Canadian medical doctor Eric Amann founded a very crucial haiku magazine, titled appropriately, if not very creatively, HAIKU. I believe he founded HAIKU while pursuing medical studies in New York City in the early to mid 1960s. Eric was an early proponent of writing a shorter, more concise style of English language haiku. The rationale for this is the Japanese definition of syllables. Apparently the Japanese language has a different method of labelling syllables than English, and individual letters such as "m" and "n" are counted as syllables. Thus English language attempts to write in 5-7-5 form were much longer and wordier than Japanese haiku.

Eric and others intuited that to be truer to the spirit and essence of Japanese haiku, English language haiku should be written in a more concise form. Eric promoted this with his HAIKU magazine, and over time these shorter haiku have become the established form of English language haiku. This has become true to such an extent that the old 5-7-5 haiku are often not even considered haiku anymore.

I was fortunate in discovering Eric, and his magazine, and Eric's insistence on this shorter format around 1966/67. Poems I had submitted to the college litmag were rejected, but the editor informed me that my brief poems reminded him of haiku. In the back of a copy of THE VILLAGE VOICE in the college library I found a classified ad for HAIKU magazine and wrote for a subscription.

Thus began a mentorship between Eric and myself, prob. for around 2 or 3 years. I was 18 or 19 years old when I began writing haiku, and I am among the first English language haijin (haiku poets/masters) to literally grow up writing (and spiritually living) the form.

Although Basho, the creator of the haiku, wrote haibun, most English language haijin haven't written in this format until quite recently. My EEL PIE DHARMA, published in 1990, is among the first English language haibun. An old friend from my hippie days, Weed, published EEL PIE DHARMA online about a decade ago, and it's one of my 'brags' that EPD is likely the most widely read English language haibun so far.

(Of course Jack Kerouac's books contain haiku, and perhaps Kerouac should be considered the earliest, and most popular, writer of English language haibun.)

I tell most of this background in my introduction to the reprint. I've heard the claim that haiku/haibun has become the most quickly growing genre in English language literature.This is largely due to the success of the internet in providing access and examples of the form (e.g. my EEL PIE DHARMA).

So the reprint of EEL PIE DHARMA (as EEL PIE ISLAND DHARMA) should help establish it as the definitive literary landmark it is, especially in Canadian literature and Canadian haiku.

I'll send you a copy as soon as it's off the presses  :  )

peace & poetry power!
Chris ... and Chase  wrfffffffffffffffffffffffff! and MacDuff wffffffffffffffffffff (Sylvia's cairn terrier who is hanging out with Chase and me for a week or so)

~~~***~~~***~~~***~~~***~~~***~~~***~~~

Hi Chris,
   Thanks so much for your quick response.  And thank you for your
elucidation, explanation, and history.  I now have a better
understanding and grasp of the subject.  You certainly played a
prominent role in the field.   I did grow up enjoying Basho's
evocative thoughts and beautiful imagery.  I will be honoured to pass
a copy of your reprint on to the Univ. of  Calgary Library.
     I will keep in touch.
     Regards to Chase and MacDuff.    Wrrrroof.
     I shout love.
     Marvin (Orbach)

~~~***~~~***~~~***~~~***~~~***~~~***~~~



 
Posted by Chris Faiers/cricket at 20:58 No comments:
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Labels: Basho, Chris Faiers - cricket, Eel Pie Dharma, Eric Amann, haibun, haiku, Haiku magazine, Jack Kerouac, Japanese Pilgrimage, The Narrow Road to the Deep North
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links of interest

  • "cricket formations" first chapbook by Chris Faiers 1969
  • "Eel Pie Dharma: a memoir/haibun" widely read and referenced haibun published 1990
  • Marmora Historical Foundation
  • pics of ZenRiver Gardens (weed's website)
  • PurdyFest scrapbook on Open Books Ontario
  • Save Al Purdy's house site
  • ZenRiver Poems & Haibun - Faiers (2008, Hidden Brook Press) cat. descrip., reviews, etc.

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About Me

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Chris Faiers/cricket
Chris Faiers was conceived in the UK, born in Canada, and raised in the US. He opposed the Vietnam War as a resident alien and lived in the UK from 1969 to 1972. He returned to Canada age 24 and resumed his literary career, publishing haiku and other poetry. He founded small press Unfinished Monument, The Main Street Library Poetry Series, and Purdy Country Literary Festivals. He was the inaugural recipient of The Milton Acorn People's Poetry Award in 1987. His poetry has been published in approx. 100 litmags and around 70 poetry anthologies. He lives in the rural Ontario village of Marmora.
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