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Showing posts with label newz4u. Show all posts
Showing posts with label newz4u. Show all posts

Monday, 20 January 2014

Ray Souster Tribute Launch - Patrick Connors


Under the Mulberry Tree


New Book and Launch event Honour Raymond Souster
Patrick Connors – Toronto:  On Wednesday, January 15th, Quattro Books released Under the Mulberry Tree, a book of poems celebrating the life and legacy of Raymond Souster.  A true “People’s Poet”, Souster passed away in Toronto last year at the age of 91 after a lengthy illness.  This tribute to his work and personality was edited by longtime friend James Deahl.

James Deahl with Quattro Books employee Kristen Blank – Photo Credit: Anna Yin

“Even if Ray Souster had never written a poem, edited a literary magazine, published a book, or hosted a public reading, he was a truly great and honourable man,” Deahl said. “Ray showed how to live a life of grace and compassion. It was a privilege to know him.”
“I first encountered Ray Souster’s poems almost half a century ago,” said Norma West Linder, a contributing poet to the anthology. “Seeing the way he made the ordinary into the extraordinary with the art that disguises art, I was inspired to try my own hand at writing poetry.

In all, there are 35 poets to the book, paying affectionate and admiring tribute to Souster, widely considered one of the most important figures in Canadian poetry in the second half of the 20th Century. He was a groundbreaking poet of wide-ranging influence who distinguished himself as an editor, publisher, readings organizer, and mentor. The contributors include some who knew Souster personally and others from younger generations who are extending the tradition of modernist “People’s Poetry” in a Sousterian spirit.

“When I consider the mutual friendship I had with Ray, I’d have to say serendipity and pleasant fortune is my connection to him,” said Michael Fraser, another contributing poet, and a co-ordinator of the excellent Plasticine Poetry reading series.  “I was immensely fortunate to have been welcomed into his house and have the opportunity to bask in his brilliance.”
14 of the contributors appeared at the launch event, held in the upstairs of Tequila Bookworm, located at 512 Queen Street West.  One of them was noted Toronto-based poet and editor Mick Burrs.

“2 years before Ray passed away, James Deahl told me that I lived in the same neighbourhood as Souster,” Burrs said.  “In fact, I had been for a number of years.
“He was a major Canadian poet, and I got to meet one of my idols in person, although it took 70 years!

“After James introduced me to Ray, I in turn introduced him to Kent Bowman, who is also in the anthology.  Ray and Kent were jazz afficionado’s, and could talk about music for hours.
“Also, we would always talk poetry with Ray, sharing our poems with one another.  In general, he stood by a lot of poets, encouraging them, even starting the League of Canadian Poets.
“I felt saddened when he died.  You just enjoyed being with him.”

Burrs poem, “Basho Watching Baseball”, appears in the anthology, and marked the beginning of the reading.  “Another thing Ray and I talked about was baseball.  We would discuss it on the phone, how the Jays were doing, during commercial breaks.”
 

The second stanza is simply:

“During a dull night game
 at last the dome opens –
     ah, the full moon!”

“This is something I experienced at a Jays game, and, of course, many others have, as well.  Inside the climate-controlled environment of the Rogers Centre, you are not experiencing the reality of the outside world.  The shock of the last line, the appearance of the full moon, is what makes it a haiku.

“Whenever Ray was talking about something he was passionate about, whether it was jazz, baseball, or poetry, he forgot he wasn’t feeling well.  In turn, we forgot he wasn’t feeling well.”
The launch event itself included stories of Souster’s influence on the presenters, both personally and poetically.  It was emotional without being maudlin, and brought everyone in the crowded room into a kind of communal participation, whether they knew Souster or not. 

“I think one measure of the success of a book launch is the number of the writers in attendance who are not there to read their own work or promote themselves, but to celebrate the poetry of some other writer,” Deahl said. “More to the point, there were about 15 people in the room I had never seen before. When people attend a poetry event who you did not personally invite, that is amazing. It demonstrates the respect people have in their hearts for Ray Souster.”

Also, the service at Tequila Bookworm was very good.
In 2012, there were revivals of the extraordinary work of Irving Layton (http://newz4u.net/archives/28339), as well as Milton Acorn (http://newz4u.net/archives/32987).  I am hopeful that 2014 will see a compilation of Souster’s work released—or at least set in motion—to bring his work and his place in the Canadian literary canon to a new generation of readers.
with files from Quattro Books

Wednesday, 13 February 2013

Interview with Chris Faiers by Patrick Connors on newz4u


Eel Pie Island Dharma

 
 
Chris Faiers’ Ode to Youth Number 7 on Amazon
Patrick Connors – Toronto:  Chris Faiers was born on Hamilton Mountain in 1948.  His family emigrated to the southern U.S. when he was six. Although a Canadian citizen, he was eligible to be drafted for the Vietnam War as a resident alien. Chris became an anti-war activist in Miami, Florida, attending demonstrations, organizing a campus group and publishing an underground newsletter.  He left the U.S. forever in June 1969.
Chris lived for two years in the largest commune in the United Kingdom, the derelict Eel Pie Island Hotel in Twickenham.  Eel Pie Island Dharma tells the story of his explorations

and adventures in the late ’60s and early ’70s.
“Basho, a wandering Japanese poet who lived in the late 1600s, created the haibun form”, Faiers said.  “He refined an ancient Japanese tradition of short nature poems into the haiku, which in Japanese are written with a 5-7-5 syllable structure. Over recent decades English language haiku poets – “haijin” – have shortened this form, as the way of counting syllables is much different in the English language.

“Late in life Basho began a series of Zen-inspired pilgrimages. He wrote travel journals about these journeys, interspersing narrative prose with his insightful and meditation-informed haiku. This unique combination of poetic prose and haiku became haibun.

“So, Eel Pie Island Dharma is of literary and historical significance for a number of reasons. It is among the first published English language haibun. It has also become a historical document of the late 1960s, and previous editions of it have been quoted and referenced in a number of prestigious books.

“I have to thank Richard ‘Tai’ Grove, publisher of Hidden Brook Press, for believing in this book and producing it!”

“I am proud of bringing Chris’s book into print”, Grove said.  “It is worthy of being found in collections and on library shelves.”  When I asked him about Faiers’ success, having been ranked as high as seventh on Amazon for poetry at times, Grove said, “We just keep plugging the book – word of mouth.”

“Being ranked #7 feels great, and gives some validation to what I am doing,” Faiers said.  “We live in a capitalist society, and poetry is not really about making money, but is more of a spiritual calling.”

Here is the link to where you can purchase it on Amazon.

“It is also being sold online by alibris and SmithBooks.”

Chris Faiers then

The book is a very easy read, and contains colourful memories of Faiers’ formative years.  I asked him which experiences from this era affected him the most.  “First of all, definitely my initial visit to a Buddhist monastery.”  This certainly feels like a turning point in the book, as well as for Faiers, but an earlier experience affected him profoundly, and directly led to his Buddhist practice.

“The other one was meeting George Harrison.  Initially, I didn’t get the Beatles.  But then they opened up what it means to be an artist, Eastern mysticism, really the whole world to me.  

George was just a guy, not a ten-feet tall demigod with rainbows shooting out his fingers.  He was a short guy, wearing blue jeans, sort of “of us”.  My friend Canadian Peter gave him a tape of his music, hoping to be recorded by Apple Records.  I was so shy, but I managed to give him Cricket Formations, which was a collection of my early haiku.  The next week, California John and Canadian Peter went to find the results of their efforts.  Harrison told him he didn’t really care for the tape, but that he liked my poetry.  I always appreciated that he took the time to read my book.”

Eventually, Faiers did have to tune back in, and got a job as a grave-digger.  “I almost starved to death when my parents stopped sending me small monthly cheques. I had understood the cheques were a legacy from my grandmother, but anyway ‘for my own good’ I didn’t receive any money for several months over the winter and spring of 1970. There weren’t many potential jobs for a long haired, bearded young foreign hippie, and working in a graveyard was one of the few places someone like me could get hired.  It was also a peaceful job, and I believe legendary blues guitarist Peter Green went to work in a London graveyard to escape the groupies and fame. Of course I quickly adopted the usual jokes about it being ‘a dead end job’ and ‘people just dying to get in here’.”

Faiers attended some of the music festivals which marked the times.  “I attended two Isle of Wight Festivals. The first one was in the summer of 1969, in August, the same month as Woodstock.

“I also attended the first Glastonbury Music Festival. It was really a sort of tribal gathering for hippies from all over the UK, Europe and even North America. It’s a great irony that this once most counter-cultural of events has survived for decades and become the largest music festival in the English speaking world!”

Chris and Chase now

I asked him if he still longs for his freewheeling, free-loving, freak flag flying hippie days.  “There’s not really much of a dosser (English slang for someone who sleeps outdoors) in me anymore.  I own a small bungalow, have a hot shower every morning, take my dog Chase for a walk.

“However, Bohemia and artistic expression thrive on the opposite end from capitalism.  I encourage the get-off-the-grid lifestyle.  People who can’t afford a traditional vacation should go camping.”

To that end, Faiers is the main force behind Purdyfest, which is held in Marmora every August long weekend.  Dorothy Livesay is the focus behind this year’s festival, which features free camping and activities at ZenRiver Gardens.  For more information, please visit their website.

“When I come into the city to visit people, they consider me to be a poor poet.  By my standards, I am successful!”