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Showing posts with label Twickenham. Show all posts
Showing posts with label Twickenham. Show all posts

Saturday, 29 August 2026

Wild Summers: new teen classic novel

 I posted this on Goodreads today. Attention librarians, book sellers, teen readers, adult readers, teachers, book reviewers

Christopher Faiers's Reviews > Wild Summers

Wild Summers by Cassie Steward

by
U 50x66
's review
 ·  edit

it was amazing

I have a personal interest in Cassie's latest novel Wild Summers, as she based a lot of it on my memoir Eel Pie Island Dharma. It's impressive how vividly her imagination recreates that heady time in the summer of 1969 when the world was undergoing the cultural upheaval of Beatlemania and hippiedom.

Her main character, seventeen year old Joan Summers, is experiencing a boring summer break as a disaffected upper middle class teen in Twickenham. Then the heady ferment of the sixties moves next door in the person of a rising young rock star. Her older sister is the cool one who attracts his attention, while nerdy Joan remains in her sister's shadow. A visit across the footbridge to mythical Eel Pie Island and the inhabitants of its abandoned hotel's hippie squatters cause a change in Joan's perspective. The unexpected acceptance of the bohemian gaggle of young people living in the ruined hotel causes Joan's life to change in directions she has never imagined.

This is the second novel acknowledging the influence of my memoir. The first was by the very established writer Hari Kunzru. His second novel, My Revolutions, also used the atmospheric and cultural turmoil described in EPID. Hari has gone on to establish himself on the A list of British authors, and it is my belief that Cassie Steward's book is at least the equal of his novel. I find her characterizations more believable and fully rounded out than Kunzru's, and her plotting more interesting and credible. Not to knock Hari whose literary credentials are secure, but to show how accomplished Cassie Steward's writing is.

In Canada where I worked as a librarian, Wild Summers would be classified as a Young Adult (YA) book. I believe it is one of the more important books in the YA canon, perhaps the equivalent of teen classics like The Outsiders or The Catcher in the Rye. I believe Wild Summers will help Cassie achieve the sales to also establish her as a financially successful writer. But I also believe Wild Summers has the potential to become a teen classic. Reviewers, librarians and book shop owners
pay attention to this brilliant and absorbing novel. Written with young people in mind, adults who remember their teen angst will enjoy this as much or more than their kids and grand kids. Harry Potter and Stephen King teen territory is being invaded!



Tuesday, 23 April 2024

Eel Pie Island Commune 1969 and Grosvenor Road squat: new video compilation by Ron Wells

 I remember taking some of the still photos in this vid in 1969, esp. the ones of Dave crossing the bridge to Eel Pie Island, one of Lorna with a flower, and many of the hotel. Don't know what happened to my old camera - someone must have nicked it for food.  

Eel Pie Hotel in the 1930s

hi Chris,


Ron has just reposted a slightly edited version of his film and also made it full-size (so too big to attach to an email) -

http://www.eelpie.org/temp/eel_pie_grosvenor_road_by_ron_wells_v2.mp4

along with the following text -

"THIS VIDEO IS NOT MINE IT WAS PUT TOGETHER BY ME AND MY 12 yr old SON ..It was made by us for  THE EEL PIE ISLANDERS and THE GROSVENOR ROAD GROUPS and so it is owned by them for there Historical use ..... Hi every one I have re adjusted the videos ..there was only a couple of hic cups and no complaints what so ever ...the time/locations were not quite right for what was needed  ...and just to set the record straight these are not my snap shots and neither is the music lol ..I chose the song by Sandy Denny  (born in Kingston) and The Fairport Convention because it seemed to fit so well with those far off days of Joss sticks ..Hair 'n' Hash ....and I tried to get the snap shots to fit to the tune as much as possible ....The second instrumental is a variant of the first song ..I chose that because of the laid back ..slightly chilled but still aware guitar work .. again that seemed to fit with the mood of the times and places that we all once knew and possibly loved .  Sadly some of the people in the photos are no longer with us (RIP) but will no doubt always be remembered with love and a smile ...x !"

Weed x

Monday, 5 February 2018

first draft Eel Pie Island Dharma screenplay almost finished



Hi Chris,

Sorry we’ve not been in contact for a while, we haven’t managed much work of late because we’ve both been working conflicting schedules. We aim to have our first draft finished in the next few weeks although it is a very delicate process making sure that we tell the story in exactly the right way.

After that we will step away from it for a few days then come back and write a second draft. We’ll then arrange a read-through with some friends so we can hear the thing aloud, this will alert us to any changes that need to be made to dialogue. After that, we’ll come back and write our final draft which will be as near as dammit what we want to make and hopefully something you’ll sign off on as well!

When that’s all done, we’ll start consulting with various producers to see if we can get some funding. Our aim as it stands right now is to make it ourselves for as little or as much as we can drum up. Failing that we’ll try to sell the screenplay to a production house.

Hope all is well with you Chris!

Tom

Wednesday, 15 July 2015

Interview: Tom Hanson, starring in The Gathered Leaves at the Park Theatre

Tom Hanson is currently starring as Simon Pennington in the world premiere of Andrew Keatley’s play The Gathered Leaves at the Park Theatre.

Set over the over Easter weekend in 1997, The Gathered Leaves is described as a “moving, poignant and funny family drama”. The play is about the Pennington family who haven’t been in the same room for over 17 years. Three generations come together to celebrate an elderly family member’s birthday…
Tom is the son of Samantha Bond and Alex Hanson, the latter of whom is also starring in the production as Simon’s father, Giles. The cast of Antony Eden’s production also includes Jane Asher and her real-life daughter, Katie Scarfe. Tom recently made his professional debut as Hugo in Posh (Nottingham Playhouse/Salisbury Playhouse).

I recently spoke to Tom about what makes The Gathered Leaves such an interesting play, why he’s excited to be working alongside such a stellar cast and whether he always wanted to follow in his parents’ footsteps…

To work alongside your father is a very unique opportunity! What drew you to the project?
To be honest it was the play, it’s so well written. To have the opportunity to work with a parent, or any actor of that calibre – this cast is full of them – is fantastic. This is going to sound arrogant, but I don’t mean this in an arrogant way at all; I read the whole thing and I just felt like the writer sort of knew me. Simon, the role I play, can just be a belligerent arse… and I think I probably can as well… well not a belligerent arse, but his sense of humour is so similar to mine and I was just like, ‘I have to do this’. I went and auditioned and luckily got it. I thought it was a brilliant piece!

Family dramas are great because everyone can relate to them in some shape or form. This family haven’t been in the same room together for seventeen years! What can people expect?
I suppose there’s a reason family dramas have been around for as long as theatre has really, it’s something everyone can relate to. It’s incredibly funny, but also very, very moving and profound. It’s testament to Andrew’s (Keatley) writing; the tiniest changes and shifts happen in the writing, yet the consequences of those actions are life changing for a lot of the characters. To be honest, when I read it I thought ‘this is what a play should be’ because it just ticks all my boxes… it’s really good… come and see it [laughs]! 

Will different audience members relate to different characters from the three generations?
Definitely. I mean it’s set in 1997. Obviously in that time you have New Labour coming in and a Conservative Government on their way out. There’s definitely a part of the play which represents my character as the kind of ‘new’ – whether that’s New Labour or modernism. Then there’s my character’s grandfather’s point of view, played by Clive Francis, who very much represents the old Conservative point of view. There’s very much the young and the old, all the characters represent different things. Then, with the siblings, it’s almost like intellect vs ‘cool-ness’. It’s interestingly written because all of the relationships get explored in some way.

Tom in rehearsals 
What has the atmosphere been like in rehearsals?
It’s been great! We haven’t had too long to rehearse this one, so it’s been a bit of a baptism of fire but in the best possible way. This is my second job out of drama school, my first one was Posh at the Nottingham Playhouse and Salisbury Playhouse and pretty much all the cast were my age. That was quite similar to drama school because you’re used to everyone being twenty-something and sometimes we’d be playing great uncles and so on. So this is extraordinary for me, because suddenly it feels a lot more real… well obviously also because my dad is playing my dad. Clive and Jane are both just unbelievable – they could be my grandparents, so you don’t have to imagine that person who is twenty is playing a character in their eighties. I don’t know Clive and Jane’s ages – and I don’t think they would want me to tell you them – but they absolutely could be those people so it’s amazing to do scenes with them.

Is it exciting or daunting to take on a brand new piece of theatre?
It’s exciting; I think it’s quite lovely, I suppose it could be daunting if you allowed it to be. The nice thing is that you can completely create your character and put yourself on it. I’ve enjoyed it and think it’s going to be a really interesting piece. Because it has never been done, it’s fascinating to have everyone’s take on it so fresh. It feels like a classic though, like one of those pieces which will come back for years and years to come.

Do you think the piece lends itself to the intimacy of the Park Theatre?
I personally love going to Upstairs at the Royal Court or the Donmar or Park because you’ve got that intimacy. Especially a play like this which is set in an old manor house in the country you need to feel like you’re in the room with them. I feel that at the Park you absolutely will be, because it’s that close, so yes it does lend itself. It’s such a subtle piece as well; you can play it as truthfully and naturally as you want. It’s just a buzzing place! Jez (Bond) has done such a good job. I saw Dead Sheep which was brilliant, and to put on theatre like An Audience With Jimmy Savile, which is that challenging, is really testament to Jez and the whole team. I didn’t realise they’d only been around for two years! They’ve really put their mark on the off-West End map! It’s so commendable. 
Samantha Bond and Alex Hanson

You come from a family of actors, was there ever any doubt that you would follow in your parents’ footsteps?
Do you know what it was? All through my teens [laughs], whenever anybody asked me what I wanted to do I said I wanted to be a rockstar. Now… I don’t think I was ever quite cut out for that because I quite like watching the telly with my cat [laughs]. When I was eighteen I was in upper sixth at school and the UCAS deadline was much earlier… I could have still applied but I didn’t. I thought, ‘oh it’s alright, I’ll take a gap year’, but then the government announced that the fees were going up to £9,000. I thought, ‘I’ve missed the uni boat, and now if I take a gap year I’m going to be in three times as much debt – why don’t I apply for drama school?’ …and I did! 

Had you not considered applying before?
I’d always kicked against it because ‘it’s what your parents do’. It’s always been a job, the glitz and the glamour side has never interested me, it’s always been about the work. I’d done a lot of drama at school and really enjoyed it, but always thought it was just a hobby. So anyway, I applied and did my first audition which was at Bristol Old Vic Theatre School, which my mum’s alumni of, and my sister actually! I did my first audition and was just like, ‘I have to stop lying to myself – of course this is what I need to be doing!’ My parents are actors; my mum’s parents are actors so there’s obviously a gene. In fact my grandmother, Pat Sandys, was the first ever Abigail in the UK production of The Crucible in 1959!

Wow – it really is in your blood!
We’re not the Foxes by any stretch of the imagination, but I think there is a certain amount of dynasty. Becoming an actor is nice, and being around people who understand is nice. It’s a huge advantage for me that I can come back from a crap audition and say “I mucked that one up” and they’ll know exactly where I’m coming from because they’ve been there. They’re also… like… brilliant, my parents, in my opinion. I think they’re really, really good at what they do. It’s cool, it’s really cool.

Interviewed by Andrew Tomlins (Editor)

The Gathered Leaves runs at the Park Theatre until 15th August 2015.
Please visit www.parktheatre.co.uk for further information and tickets.
Read our previous interviews with Alex Hanson and Samantha Bond
Photo Credit: 2&3: Mark Douet
Photo Credit 4: Piers Allardyce

Friday, 14 December 2012

Weed's website on Eel Pie Island


Eel Pie Island Hotel & Dancehall  /  L'Auberge

Eel Pie Hotel  L'Auberge

"And who's going to be the one, to say it was no good what we done?"


Eel Pie Island
"Eel Pie Island"
by
Dan Van der Vat
& Michele Whitby

lavishly illustrated!

published 2009

now available from Amazon


Eel Pie Island Dharma
"Eel Pie Island Dharma"
by
Chris Faiers

published 2012
by Hidden Brook Press

available from Amazon


people

    contacts and memories  (updated Sep 2012)
whatever happened to? (1969-1971)
Emanuel

pictures  

    Eel Pie Hotel up to 1964
people 1964-65 (i)
people 1964-65 (ii)
people 1969-71 (i)
people 1969-71 (ii)
people 1969-71 (iii)
people 1969-71 (iv)
Eel Pie Hotel 1969-1971
Eel Pie Hotel after 1971
L'Auberge Cafe, Richmond, Surrey
Richmond & Twickenham 1968-1972

music  

    Brian Green & His New Orleans Stompers - Brian Green
Eel Pie Gigs 1969 - lit by Mass Spectrometer Light Show
Eel Pie Memories - from Comstock Lode No 7 - John Platt
The Grove Jazz Band / Eel Pie - John Lamond
Rich/Twick Jazz & Folk Scene - Roy Buckley  (added Mar 2011)
Let's Swim To Eel Pie Island - John Joyce
mementos 1955-1971
The Start of the Eel Pie Jazz Club - John Winstone

Eel Pie Heritage Board
Eel Pie Island Music Heritage Board, unveiled 24th April 2009
(click on pic to open full size image in new window)

words

    The Education of Desire (extracts) - Cliff Harper
Eel Pie Dharma - Chris Faiers
Eel Pie Island (1948-1955) - Roy Buckley  (added Mar 2011)
Eel Pie Island in the mid-late 50s - John C Snelling  (added Apr 2011)
Eel Pie Marine Centre & Boatyard - Michele Whitby  (added Mar 2011)
Met OJ on Eel Pie '69 - Weed
newspaper article (1971)
Eel Pie and Arthur. Inoculation against evil influences? - Leslie T Wilkins
Fantasy Island - Surrey Life (Oct 2009)  (added Feb 2011)

media

    Anie Nightingale remembering Eel Pie - Facebook video
clip from the film "Fumo Di Londra" (1966) - (no sound)
clip from the film "Fumo Di Londra" (1966) - shorter clip + sound
"Who Needs Eel Pie" (Rank, "Look at Life" series, 1967)
documentary on the Commune (BBC2 TV, 1970) (Open University)
"Eel Pie Island Hotel" - Radio 4 (2007) - (check file-sharing networks)
"Kenneth Cranham... - Eel Pie Island" (Mark Burgess) - Radio 4 (2012)

links

    Another Nickel In The Machine - A Rave on Eel Pie Island (Aug 1960)
Arthur Chisnall - obituary - The Independent  +  a follow-up
Arthur Chisnall - obituary - The Surrey Comet
Arthur's Experiment - play inspired by musical history of Eel Pie Island
The Eel Pie Book - (published October 2009) + old blog
The Eel Pie Club - preserving and continue the local R&B heritage
Eel Pie Island - Wikipedia page
eel pie island appreciation - Facebook group (general + current)
Eel Pie Islanders - Facebook group (mainly 1969-71)
Mystery Jets - continuing the Eel Pie musical heritage [needs 1024x768]
Newsgroup posts - interesting threads on Eel Pie Island, old & current
Richmond Riverside - panning views of north and south banks of Eel Pie
Sunday Times article - Richard Johnson
Time Out - Peter Watts
Twickenham Museum - articles on the history & music of Eel Pie Island


map of Eel Pie Island by Cathy Horton 1992
Eel Pie Island (1992)


Weed's home page

thanks for inspiration to Canadian Chris, Dave King & Brenda O'Connell
thanks for Eel Pie map, drawn by Cathy Horton
Eel Pie Hotel painting (top left) by Dominic Mccormack, 1970
quote from "I'll Try For The Sun" (Donovan Leitch)
comments & contributions to weed@wussu.com
revised 29 October 2012
URL http://www.eelpie.org/index.htm

Sunday, 18 November 2012

Eel Pie Island Dharma available from Amazon



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Eel Pie Island Dharma: A Hippie Memoir/Haibun [Paperback]

Chris Faiers
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Book Description

Oct 1 2012
Eel Pie Island Dharma: A hippie memoir/haibun By Chris Faiers Published by Hidden Brook Press ISBN - 978-1-897475-92-8 www.hiddenbrookpress.com This book is one of the most important historical document of the 60s, a memoir in haibun form. It is part of the Hidden Brook Press, celebrated North Shore Series - the 28th book in this renowned Canadian literature series. This memoir of a sixties survivor has become a haiku/haibun classic and an oft-quoted reference for the heady ferment which was the tail end of the 1960s. Meet a Beatle! Attend the first Glastonbury music festival! Fight cops and skinheads at the infamous 144 Piccadilly squat! Hear a banshee and walk across Ireland ... live in the derelict Eel Pie Island Hotel with hippies, junkies and bikers ... be seduced by school girls ... drop acid in Cambridge ... sleep in a cave on Formentera ... Before the draft for the Vietnam War called, Chris Faiers was a shy bookworm. But he read his Kerouac, and when the draft notices kept coming, "Canadian Chris" hit the dharma road feet first and didn't look back for three years.

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