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Showing posts with label Robert Priest. Show all posts
Showing posts with label Robert Priest. Show all posts

Friday, 27 July 2012

NOW Mag. feature on Milton Acorn - Robert Priest


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Milton Acorn: Returning to the scene of the rhyme
Return to the Allan Gardens spot where people’s poet Milton Acorn made his mark on city’s consciousness



An act of civil disobedience begins in Allan Gardens. The speaker, a burly fellow with a face that might’ve been carved by a woodcutter’s axe from a particularly grainy tree stump, calls out, “I shout love in a land muttering slack damnation / as I would in a blizzard’s blow.”

He is quickly ticketed and fined by police for the crime of speaking without a permit in a public park. He refuses to stop his reading, and the small crowd refuses to stop listening or disperse. They are occupying the park.

Sounds familiar, right? But it happened 50 years ago this summer. The speaker was iconic Canadian poet Milton Acorn, just then becoming famous for his Marxism-informed free verse and delicate lyrics that would lead to his being named “the people’s poet” by his peers Margaret Atwood, Irving Layton, Joe Rosenblatt and more in a legendary ceremony at Grossman’s Tavern.

All of which explains why on Thursday, July 12, 2012, a group of poets returned to the scene of the crime to take the park, mark the anniversary and toast the publishing of Mosaic Press’s new Acorn collection, In A Springtime Instant.

They gathered in front of the statue of Robbie Burns, where the original readings took place, to recite Acorn’s work. The group of 20, of course, was nothing like the thousands who attended his resistance readings in 1962.

Back then, despite mounting fines, Acorn continued Sunday after Sunday, drawing ever larger crowds and ever more media. Other poets joined in, and the protest was soon being covered coast to coast. Inevitably, stung by the bad publicity and the unstoppable poetry, the city of Toronto changed its bylaw.

I knew none of this when I used to visit him more than a decade later, in the late 70s, in the cigar reek of his Hotel Waverly room at College and Spadina. Rather than brag about old achievements, he preferred to spend his time reciting first drafts of brand new poems to any young poet bold enough to drop by.

A clearly tormented man, Acorn, who railed against war and inequality and would have loved Occupy, was sometimes inarticulate with rage. He told me once, in one of his moments of clarity and connection, about the sonic impact of a shell blast he experienced aboard a ship in the Second World War, an injury that affected his brain health ever after and no doubt contributed to his early demise in his hometown of Charlottetown in 1986, aged 63.

Astonishingly, on July 12, two weeks ago, police once again converged at our poetry happening in Allan Gardens. Those reading from Acorn’s book hadn’t got more than three poems into the oeuvre before they were interrupted.

It seems a couple of Allan Garden regulars and a resident of nearby Seaton House got into a violent altercation involving some head-kicking, bottle-heaving and a bit of sitting in the middle of Sherbourne traffic while bleeding.

This had nothing to do with the poetry, but the poets wound up being referees, peacekeepers and ambulance scouts as the fight broke out again and again.
Eventually, quite a number of police arrived, though unlike half a century ago, it was the poets themselves who summoned them. Not exactly civil disobedience, but as poet Kent Bowman put it, “I think Milton would have been pleased with the outcome and the chaos.” Probably.
As Acorn said: “I shout love even though it might deafen you / and never say that love’s a mild thing / for it’s hard, a violation / of all laws for the shrinking of people.” Thanks, Milton. Message received.
news@nowtoronto.comtwitter.com/nowtorontonews
• NOW | July 26-August 2, 2012 | VOL 31 NO 48

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 July 27/12

Dear Chris:  The article was great!  Good for Robert.  It's such an amazing story that EVERYBODY takes free speech for granted.
Anyway...yes I'm coming up on the Sunday with Joan and as far as I know, there's room for more.
Let me know who needs a ride for the day.  I can't stay overnight, I'm singing the next day with Lillian Allen in her group "The Subversives"
Honey Novick

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Tuesday, 18 October 2011

Unfinished Monument Press: revisited on the web

Oct. 18, 2011

Like many of us, from time to time I Google myself to see what's out there. The other night I Googled Unfinished Monument Press, the poetry chapbook press I founded in 1978. After browsing several pages I found the below list of books the press had published. It was embarrassing to realize I had forgotten many of the poets and their books I'd published thru the imprint several decades ago  : )

I founded UMP in 1978 while working as a cook in the kitchens at the University of Toronto. The Canadian Liberation Movement (CLM) I'd been a member of had imploded several years earlier, like most of the other Maoist/Marxist/Leninist groups, thru a combination of sectarianism, social fascism and the general disinterest of the Canadian public. I returned to writing poetry, now with a social and politikal awareness.

Although I had managed to get some of my poems published in progressive mags like Alive, This Magazine, The Red Menace and Gut, I didn't have any connections for publishing a collection. I knew I'd have to publish myself, and came up with the name Unfinished Monument as a tribute to the marker to Sam Lount and Peter Matthews in the Toronto Necropolis Cemetery.

In 1978 I published the chapbook Dominion Day in Jail.  UofT student Peter Treen, who worked as a breakfast runner, drew the cartoon illustrations.  

After initially publishing with UMP, a cross-section of poets have gone on to leave their marks on Canadian poetry, including Robert Priest, Bruce Hunter, Lynne Kositsky, James Deahl, Wayne Ray,  (Daniel) jones (RIP) and many others.

Around 1991 I gave the press to James Deahl and his wife, Gilda Mekler. I had moved to rural Ontario from Toronto, and had tired somewhat of the CanPo scene and the demands it makes on one's life. For over a decade I had little involvement with CanPo, working as a small town librarian in the villages of Marmora and Stirling.

James and Gilda expanded the UMP list of poets. James is the poet and publisher who has most promoted the legacy of Milton Acorn, "The People's Poet". James published some of Milt's final works with UMP. James also published a collaboration between himself and another seminal Canadian poet, Raymond Souster. James and Gilda also established a chapbook award which continued the tradition of publishing up-and-coming Canadian poets with UMP. 

Even in my rural retreat, my poetic past eventually caught up with me, and after a decade I was viciously fired as the head librarian from my last job for 'putting sexual content online' (this is what the person who replaced me initially told people). The "sexual content" would have been my seminal English-language "hippie"  haibun Eel Pie Dharma! Of course even out here in the boonies this wasn't grounds for dismissal, so the library board and the township lawyers trumped up various charges. I fought them with legal help, and received wrongful dismissal pay for 8 months. My evil past as a Canadian poet had finally caught up with me.

In my forced retirement I have since returned to writing poetry, publishing this blog, and organizing annual Purdy Country LitFests (PurdyFests). I have no plans to revive Unfinished Monument Press, altho I'm very proud of its legacy in Canadian poetry and literature.
     
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Following is the interesting, altho somewhat garbled & incomplete UMP publication list, from the website I Googled which stimulated memories of the glory days of UMP  : )


Unfinished Monument Press
Toronto, Ont., Canada
Books of this Publisher

<< >> 1 2
13 bohemian dreams
by Chris Faiers
Publisher: Toronto : Unfinished Monument Press, 1988.
ISBN: 0920976409   Edition: $2.00

Auschwitz
Wayne Ray
Publisher: [Toronto] : Unfinished Monument Press, 1983.
ISBN: 0920976212   DDC: 811.54   Edition: $2.50

The dead leave holes
Ben Phillips
Publisher: Toronto : Unfinished Monument Press, c1983.
ISBN: 0920976190   Edition: $2,00

Dear little old lady
Helen Costain
Publisher: Toronto : Unfinished Monument Press, 1983.
ISBN: 0920976174   Edition: $3.00

Eel pie dharma
Eel pie dharma: a novella/haibun
Chris Faiers
Publisher: Toronto : Unfinished Monument Press, 1990.
ISBN: 0920976425   Edition: $20.00

Five minutes ago they dropped the bomb
Chris Faiers
Publisher: Toronto : Unfinished Monument Press, [1984]
ISBN: 0920976247   Edition: $0.99

A flock of blackbirds
A flock of blackbirds: haiku and senyru
by Margaret Saunders
Publisher: Toronto : Unfinished Monument Press, 1979.
ISBN: 0920976042   Edition: $1.75

For Christ and Kropotkin
For Christ and Kropotkin: poetry
by Brian Burch
Publisher: Toronto : Unfinished Monument Press, 1987.
ISBN: 0920976336 

Into this dark earth
Raymond Souster & James Deahl
Publisher: Toronto : Unfinished Monument Press, 1985.
ISBN: 0920976271   DDC: 811.54   LCC: PR9199.3   Edition: (pbk.)

Jack and Jill in Toronto
Jones
Publisher: Toronto : Unfinished Monument Press, 1983.
ISBN: 0920976204   Edition: $3.00

Last minute instructions
Last minute instructions: poems
by Mark McCawley
Publisher: Toronto : Unfinished Monument Press, 1989.
ISBN: 0920976360   Edition: $3.00

Lount and Matthews
Lount and Matthews: a commemorative booklet
compiled by Peter Flosznik
Publisher: Toronto : Unfinished Monument Press, 1982.
ISBN: 092097614X   Edition: $1.00

Making waves
Dee September
Publisher: Toronto : Unfinished Monument Press, c1979.
ISBN: 0920976034   Edition: pa. :$2.50

The Northern red oak
The Northern red oak: poems for and about Milton Acorn
edited with an introduction by James Deahl
Publisher: Toronto : Unfinished Monument Press, c1987.
ISBN: 0920976352   Edition: $10.00
On the road for poetry

On the road for poetry: a tour journal
by Mona Fertig
Publisher: Toronto : Unfinished Monument Press, [1985]
ISBN: 0920976263   Edition: $4.00

Original innocence
Leslie Webb
Publisher: Toronto : Unfinished Monument Press, 1988.
ISBN: 0920976379   Edition: $4.00

PCB jam
by Lynne Kositsky
Publisher: Toronto : Unfinished Monument Press, c1981.
ISBN: 0920976115   Edition: $1.50

Poems 1980
Marglamb Wilson
Publisher: Toronto : Unfinished Monument Press, 1981.
ISBN: 0920976085 

Poets who don't dance
Shaunt Basmajian
Publisher: Toronto : Unfinished Monument Press, 1985.
ISBN: 092097628X   Edition: $3.00

Qaani lore
Publisher: Toronto : Unfinished Monument Press, 1985.
ISBN: 0920976255   Edition: $2.00