Here are your questions and my answers. Feel free to edit as you wish. I'll possibly give longer answers than needed, so you can pare them down.
1.) What was the genesis of PurdyFest?
Chris: In the summer of 2006 poet James Deahl and professor/philosopher/author Terry Barker visited me in the village of Marmora. James and Terry had coordinated a number of symposium "controversies" on the current state of Canadian People's Poetry, that is poetry in the tradition of Milton Acorn and many others. James and I had been comrades in the Canadian Liberation Movement with Milton Acorn, while Terry has published several books on Acorn.
James and Terry suggested we hold the next "Controversy" on People's Poetry in Marmora, to broaden the geographic scope of these meetings, and to honour the legacy of Al Purdy, "The Voice of Canada", who had lived in the Quite region. The three of us wandered around the village, admiring Marmora's scenic riverfront parks and the dam. On our ramble I suggested poetry readings should be included in the controversies, and while on the islet in the dam, James remarked that this would be the perfect spot to hold a poetry reading. And the First Dam Poetry Reading was born.
James had also visited Al Purdy at his A-frame cottage in Amerliasburgh. During these visits Big Al had suggested enlarging and formalizing his famous house party poetry gatherings. James envisioned Purdy Country Literary Festivals as the fulfillment of Purdy's wish.
2.) What makes the Quinte region unique as a literary destination?
Chris: Definitely Al and Eurithe Purdy's presence in Ameliasburgh and their above-mentioned gatherings of a generation of Canada's best known authors. Once I was given a tour of the upper floor of the Belleville Public Library, where a young Farley Mowat lived. And Susannah Moodie wrote some of her seminal works about this area, including "Life in the Clearings" about Belleville.
The northern part of the Quinte/Hastings County region is the foot of the Canadian Shield, an icon of spiritual and physical presence in Canadian art via the Group of Seven, and often a metaphor in much Canadian literature. James Deahl has written an insightful essay on this legacy. And one of the first books I read on moving here from Toronto in 1989 was Jane Urquhart's powerful tale of Irish settlers, "Away".
3.) What are you most looking forward to at this year's festival?
Chris: The camaraderie and camping at ZenRiver Gardens. There are many poets who return to PurdyFest year after year: Jeff Seffinga, Simon De Abreu, Tai Grove, Anna Plesums, Jim Larwill, Katharine Beeman, RD Roy, Kent Bowman, Allan Briesmaster, Pearl Pirie, Paulos Ioannou, Peter Rowe - the list of regulars continues to grow. And Ottawa poet Jim Larwill always makes the dozen or so campers at ZenRiver Gardens feel immediately welcome to the rocky toenails of The Shield along the banks of the Upper Moira. This year Jim will be launching his new CD of shaman chants, and Morley Ellis will again introduce the dam readings with his guitar laying and singing. The annual Friday night potluck supper. Terry Barker and Anna Yin honouring Raymond Souster. Tai Grove MCing the Canada-Cuba Literary Alliance reading.
4.) What is the role of the late great Al Purdy's poetry in the festival?
Chris: I'm sure Big Al's poem "The Country North of Belleville" has played a substantial role in luring PurdyFesters to the Marmora area.
5.) What do you forsee for the future of the festival?
Chris: This will be PurdyFest #5, and this summer we'll be honouring seminal modernist poet Raymond Souster. To date about a dozen poetry collections have been launched at our fests, and the Hidden Brook Press' anthology about Purdy, "And Left a Place to Stand On", was conceived at an early fest. Dozens, more likely hundreds, of poems have been written during fests, and the friendships created have helped establish an ongoing link and bond between generations of Canadian poets. Each year a few more poets, and lovers of poetry, join to celebrate Canadian People's Poetry. Perhaps PurdyFests will continue to grow, maybe the emotional and attendance highpoint already peaked with last summer's 'love-in' for Toronto poet Ted Plantos, but no matter the future of PurdyFests, Canadian poetry will continue to grow and evolve in the grand traditions of Milton Acorn, Al Purdy, Dorothy Livesay and so many others.
July 13, 2011
On 2011-07-13, at 7:12 PM, Grace O'Connell wrote:
I've attached some questions for a mini-interview that we will run on Open Book: Ontario along with a summary of the festival and this year's line up.
Congratulations on an amazing project! I'm a big fan of Al Purdy, so I think this is a wonderful idea for a festival.
Please let me know if you have any questions or concerns.
On 13 July 2011 10:32, Grace O'Connell <email@example.com> wrote:
My sincere apologies for not getting back to you yesterday! Things got a little bit nutty. I'll send you over some questions later today if that works for you. You're welcome to take your time in answering.
On 11 July 2011 18:21, Chris Faiers <firstname.lastname@example.org> wrote:
Of course! This is exciting, and I'd be most willing to do an email interview. I've learned to be very prompt and concise when working with media, so this isn't a problem at all for me. Most likely I'll complete the interview immediately.
I think the Open Book Ontario site is a great concept - I've been promoting CanLit and CanPo for well over three decades now.
peace & poetry power!