Once Upon a City: Allan Gardens’ rich history of revolution
From the founding of the National Council of Women of Canada in 1893 to anti-Nazi riots of the ’60s to the G20 protests, Toronto’s Allan Gardens has been ground zero in the shaping of the city’s social fabric.
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Allan Gardens’ iconic glass-and-iron domed
Palm House is a familiar landmark for Toronto residents and visitors
alike, nurturing a permanent collection of exotic plants from distant
climes inside its heritage walls. Yet the conservatory and its protected flora are only half the story of Allan Gardens. Designed by prolific city architect Robert
McCallum and opened in 1910, the Palm House is the central pavilion of
what is now a 16,000-square-foot conservatory, with five greenhouses
added over half a century until the late 1950s.
The surrounding park, bounded by Carlton,
Sherbourne, Gerrard and Jarvis streets, boasts some 300 trees, many
perhaps as old as the pavilion, and today features a brand-new
playground and two fenced off-leash areas for dogs. The gardens began in 1858 with the gift of a
five-acre plot to the Toronto Horticultural Society from George William
Allan, president of the society and 11th mayor of Toronto, recently
retired after a two-year term ending in 1856. Allan then entered national politics,
representing York at the Legislative Council of Upper Canada from 1858
until becoming one of Canada’s first senators following Confederation in
1867.
Guided by its motto, Beautify Toronto, the
horticultural society built a rustic pavilion for its exhibitions that
would also serve as a venue for evening concerts and social events. The Horticultural Gardens opened Sept. 11,
1860, with the Prince of Wales, later King Edward VII, planting a maple
tree in front of the new pavilion using a silver spade; he opened
Queen’s Park the same day, making them two of Toronto’s oldest parks.
In 1864, the city bought five additional acres
from Allan for $11,500 and leased them to the horticultural society,
which maintained stewardship of the expanded park on condition the
conservatory be open to the public free of charge until 8 p.m., after
which admission could be charged for private events.
In 1879, a glass Horticultural Pavilion
replaced the original wooden structure, financed by the society with a
$20,000 mortgage, where budding aesthete Oscar Wilde lectured in 1882,
before writing his more famous literary works. Although the venue was popular, the
horticultural society was unable to cover its debt with the revenues
from evening programming, and sold the original plot and the pavilion to
the city in 1888.
When George Allan died in 1901, the conservatory and grounds were renamed Allan Gardens in memory of his contributions. The following year, two things happened in the
park: the Horticultural Pavilion burned, and the people’s poet of
Allan’s ancestral Scotland was immortalized, the monument remaining to
this day.
“Robert Burns had an unpleasant experience
last night in the person of his statue now being erected in Allan
Gardens,” the Toronto Daily Star reported on July 19, 1902. “Twice the scaffolding gave way, and the
second time carried with it the pedestal and statue, to the dismay of a
large crowd of spectators. However, neither pedestal nor statue were
injured.”
Six weeks earlier, the news had been much worse. “Smoking ruins in Allan Gardens,” read a Star headline on June 6. “Splendid palms, some of them declared to be
the finest in America, have been ruined, while the work of years is now
withered and dying.”
With the recent opening of Massey Hall, the
loss of a concert venue was scantly mourned, but the resurrection of a
horticultural pavilion had the sustained support of several city
officials, and the current Palm House was built at a cost of $50,000,
following council’s rejection of two more costly proposals.
Outside the glass conservatory, another, civic garden was sprouting political tendrils.
Situated near the seats of provincial and
municipal government, amidst industrial and various strata of
residential neighbourhoods, the 10-acre park was a natural seedbed for
ideals carried in by the city’s two-legged fauna, who began thronging
the park to voice enthusiasm or outrage over social issues.
The Star was quick to reveal some rather blunt tools in the city’s garden shed. “Police smoke out meeting but crowd won’t disperse,” read the front-page headline on Aug. 16, 1933. “Charging mounted policemen, motorcycle
exhausts belching oily fumes and scores of constables on foot put a stop
to speech making, but failed to disperse thousands of persons in Allan
Gardens last night, at a meeting announced by the Workers’
Ex-Servicemen’s League . . . to protest against treatment accorded war
veterans.” Police intervened just as the rally began, enforcing a bylaw that prohibited speeches in all but three city parks. Thirty years later, the bylaw was revised,
after it sparked much debate over freedom of expression, when challenged
by a group of poets holding unauthorized readings in Allan Gardens.
“First Milton Acorn, a 39-year-old former
carpenter, started with the Song of Solomon,” the Star reported in July
1962, explaining, “the bylaw allows religious speakers.” Police scribbled in their notebooks as Acorn
turned to his own material, proclaiming, “I shout love, love,” before
addressing the back-row critics: “Listen, you money-plated b——. When I
shout love, I mean your destruction.”
The Star observed that, ironically, “the poets
couldn’t gather in their favourite position by the statue of Robert
Burns because Frank Correnti, a religious speaker, got there first.”
Three years later, the free speech debate raged into a riot. “Shrieking ‘kill, kill, kill,’ a hate-filled,
hysterical mob of 4,000 watched as eight suspected Nazis at Allan
Gardens Sunday were beaten with fists, clubs and boots,” begins the
Star’s top story from May 31, 1965. Angry citizens — and wary police — had gathered in anticipation of a scheduled Nazi Party rally. “Six of the victims were youths who happened
to be wearing black jackets or shirts . . . They had come to Toronto
looking for work,” the Star reported.
“It began like an avalanche, slowly . . . Someone yelled ‘they’re Nazis’ and the whole park came alive.” Allan Gardens remains a hotbed of political
uprising, with demonstrations over homelessness, gender issues,
abortion, environment and other concerns continuing to this day. In 2010, the first of the G20 protesters began
their rally at the park; since 2013, the annual Dyke March has ended
there in one of many colourful Toronto Pride celebrations.
Back in 1893, in the shelter of the
Horticultural Pavilion, 1,500 women shared a vision of equality with
Lady Aberdeen, wife of the governor general, as she established the
National Council of Women of Canada.
A glass ceiling was eventually broken in 2013,
when a “century plant,” Agave americana, planted in the conservatory
during the Second World War but dormant for 50 years, shot up suddenly,
requiring a hole to be cut in the greenhouse roof so it could bring
forth hundreds of tiny yellow blossoms.
“All these years, the succulent plant has been
gathering energy to be marshalled into the buds, poetic in its one
final flourish,” the Star wrote. According to Allan Gardens superintendent Curtis Evoy, the stalk would wither and die within six weeks. “But there is good news: offshoots, a new plant, is growing near the base.”
Radicals, you could call them.
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Allan Gardens’ popular annual Christmas
Flower Show opens the first Sunday in December and runs until mid
January. Admission is free.
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Thanks to Peter Rowe for forwarding this - I somehow missed this article yesterday. My friend Sylvia and I have made annual visits to the conservatory a seasonal rite. The Christmas Flower Show is not to be missed!
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Thanks to Peter Rowe for forwarding this - I somehow missed this article yesterday. My friend Sylvia and I have made annual visits to the conservatory a seasonal rite. The Christmas Flower Show is not to be missed!
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