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Buoyant blog of septuagenarian Kanadian poet and haikuist Chris Faiers/cricket. People's Poetry in the tradition of Milton Acorn, haiku/haibun, progressive politikal rants, engaged Buddhism and meditation, revitalizing of Callaghan's Rapids Conservation Area, memories of ZenRiver Gardens and annual Purdy Country LitFests (PurdyFests), events literary and politikal, and pics, amid swirling currents of earth magick and shamanism. Read in 119 countries last week - 12,597 readers Feb./25
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From Jean Baird's email report:
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I consider Katherine L. Gordon a kindred spirit poet. A spiritual poet who also remains active in our confusing political realm.
Thanks for reading Judy Haiven’s Newsletter! Subscribe for free to receive new posts and support my work.
The film that won the Academy Award for Best Documentary last week still has no Canadian—or North American– distributor.
No Other Land got rave reviews. It is about the ongoing destruction of Palestinians’ villages in the Masafer Yatta area of the South Hebron Hills— in the Occupied West Bank. The film shows Israel’s soldiers and Jewish settlers destroying Palestinians’ homes, their livestock, tearing down the school and poisoning their water wells. In an unlikely friendship between two young men, Yuval, an Israeli Jew and Basel – a Palestinian lawyer – the men decide to document Israel’s violent land grab of Palestinian land. No Other Land has attracted international media interviews with the Israeli and Palestinian co-filmmakers.
Not everyone agrees that No Other Land is a great film. Israel’s diehard supporters refuse to acknowledge Israel’s genocide– the deliberate murders of more than 48,405 mainly women, children and the elderly in Gaza over the last 18 months. More than 111,835 Palestinians have been seriously injured. More than 35,055 children have lost one or both parents. Israeli politicians were infuriated by No Other Land. Israel’s Minister of Culture Miki Zohar – a member of Netanyahu’s Likud party – called the win “a sad moment for the world of cinema… slandering Israel on the global stage.”
In his acceptance speech, No Other Land’s Palestinian co-director Basel Adra condemned Israel’s “ethnic cleansing of the Palestinian people”; his Israeli co-director Yuval Abraham demanded an end to Israel’s “unequal” treatment of Palestinians. Here’s a trailer for the film.
Despite winning an Oscar, No Other Land still has no US or Canadian distributor. We all can guess why that is. Do you suppose the film being labelled “antisemitic” is part of the reason no one wants to take it on? Does the film offend Jews – or does it offend those who support Israel’s power to drive Palestinians off their land, or kill them directly. Let’s look at a brief history of “controversial” films that are about Palestinians.
In 2013, 5 Broken Cameras was nominated for Best Documentary Features at the 85th Academy Awards. Its co-directors –Palestinian olive farmer and videographer Emad Burnat and Israeli Guy Davidi faced months of limited distribution prior to Kino Lorber taking over their film’s North American distribution. To add insult to injury, police at Los Angeles airport grabbed and detained Palestinian filmmaker Burnat, his wife Soraya and 8-year old son Gibreel– the “star” of Five Broken Cameras — when the family landed to attend the Oscars.
Burnat texted filmmaker Michael Moore to call for help. As Burnat wrote, “Can you help- they will send us back”. Moore got a lawyer to spring the family from detention. Burnat told Moore over the phone,
“ [Immigration and Customs] would not believe him when he told them he was an Oscar-nominated director on his way to this Sunday’s Oscars and to the events in LA leading up to the ceremony. He is also a Palestinian. And an olive farmer. Apparently that was too much for Homeland Security to wrap its head around.”
The police gave Burnat a window of less than 24 hours to remain in the US,to attend the Oscars and then leave the country. Remember, this was not under Trump 1 or Trump 2, but under the Obama presidency.
In 2012, there was The Gatekeepers, an Israeli-made film, about the lives and opinions of the six Jewish directors of Israel’s Shin Bet – Israel’s Security Agency (ISA). The film was nominated for an Academy Award, but didn’t win. Still Sony Pictures Classics distributed the film widely in the US, and Cinephil distributed it internationally.
Zone of Interest won an Oscar for Best Feature Film in 2023. There was enthusiastic support for the film itself. It was, after all, about the Holocaust. But there was tremendous anger and antipathy by those who support Israel’s current genocide, after British Jewish director Jonathan Glazer gave his acceptance speech. Surrounded by several other men who helped create Zone of Interest, he noted,
“Right now we stand here as men who refute our Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people… all the victims of this dehumanisation. How do we resist?”
In Zone, Auschwitz arguably served as a stand-in for Gaza. Seven months after Israel began its genocidal war against Palestinians, Israel had killed more than 28,000, buried more than 10,000 Palestinian—mainly women and children — in the rubble of tens of housands of buildings that Israel bombed.
It has played in movie theatres around the world and streams on various platforms.
In 2024, Israelism, the documentary film in which two young American Jews question the way Israel treats Palestinians was able to land a US distributor, Watermelon Pictures. Watermelon, a new film production and distribution company, was founded to “showcase who have been poorly represented and dehumanized in mainstream media.” Israelism had been released the previous year, and the filmmakers managed to have hundreds of showings at universities and colleges in the US, plus online streaming. The pro-Israel Jews such as David Suissa at the right-wing Jewish Journal wrote,
“The film features a few carefully selected young American Jews complaining that their Jewish upbringing advocated for Israel but withheld any advocacy for Palestinians. To hear them, you’d think there was a total blackout in Jewish America on discussing the plight of the Palestinians, which is quite the opposite. … the movie wants us to believe that Zionist advocacy was so one-sided and all-consuming it created a generation of young Jews who, feeling duped, have turned against their own.”
We know that in the “official” Jewish world there is indeed a near-total blackout on representing and advocating for the Palestinian cause. Even in the world of film distribution, it took months for Israelism to get a distributor for theatrical and digital release.
The terror story of today – as whipped up by the pro-Israel lobby – is about the BBC’s latest censuring of its own documentary “Gaza: How to survive a war zone.” The film (co-produced with an outside film company) features four young teens in Gaza, in a “vivid and unflinching view of life in a war zone”, from Dec. 2024 to the “ceasefire” a month ago. The film’s narrator, Abdulla age 13, speaks good English. The BBC was frantic when it discovered Abdullah was the son of Hamas’ deputy minister of agriculture! Horror of horrors – the BBC chair actually noted the mistake was a “dagger to the heart” of the BBC’s impartiality. Seriously? BBC’s corporate leadership grovelled and apologized to a Parliamentary committee meeting for “failing to do its due diligence” on how the BBC creating a doc about life in Gaza– with no reference to Hamas.
For a very nice 6 minute message to the BBC by Abdulla, watch this.
The BBC executives’ top concern is making sure their “brand” is respected and seen as “trustworthy.” I suppose that means what four young teens have seen, have endured, have barely survived may be unreliable or at worst a pack of lies. Does anyone honestly believe that what Gaza’s children have endured is not tantamount to a form of torture, ethnic cleansing, severe trauma and worse? Well the BBC has deep-sixed the film.
We are on a teeter-totter in Canada (and the US) when it comes to being able to see films about the Palestinians’ reality – in Gaza or the West Bank. Certain films win awards, even Oscars – but when a film about the genocide cannot be shown in a theatre or streamed on TV there is no doubt that the pro-Israel lobby is still hard at work.
At the top: still from No Other Land, the two co-directors Basel (left) and Yuval. (credit: Antipode Films)
Thanks for reading Judy Haiven’s Newsletter! Subscribe for free to receive new posts and support my work.
© 2025 Judy Haiven
Halifax, NS
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